Quotes from My Merlin Awakening

“Vane grabbed me. “DuLac, let’s chat.”
Chat. British-speak for “Stand still while I yell at you.”
― Priya Ardis, quote from My Merlin Awakening

“Vane’s lips tightened to suppress a smile. “Why so hostile, love?”
“You whacked me on the head with a ball!”
“You deserved it.”
― Priya Ardis, quote from My Merlin Awakening

“I caught his hand. “What do you want me to do?”
Leaning down, he kissed the pulse beating on my neck just above the damaged skin. “Tomorrow, I need you to die.”
― Priya Ardis, quote from My Merlin Awakening

“Well, can you tell her that?"
He looked down at his feet. "I will. I will."
Guy-speak for, "I plan to keep avoiding her until she gives up.”
― Priya Ardis, quote from My Merlin Awakening

“You'll get fired if anyone finds out about us!"
"So many rules in this century," Vane muttered.”
― Priya Ardis, quote from My Merlin Awakening

“If I were to lock you up in a dungeon, I guarantee you would not be bored.”
― Priya Ardis, quote from My Merlin Awakening

“Plus, I happened to be a history nerd. Why else would I be interested in a guy born in the year 519?”
― Priya Ardis, quote from My Merlin Awakening

“The last declaration he'd made to me hung between us. The L word. The one that had nothing to do with like.”
― Priya Ardis, quote from My Merlin Awakening

“The combination of razor-sharp wit (completely real) and his credentials (completely fake) had won them over in the end.”
― Priya Ardis, quote from My Merlin Awakening

“The Lady may favor
you, but at least I am in charge of my own destiny.”
― Priya Ardis, quote from My Merlin Awakening

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Popular quotes

“It's funny: I always imagined when I was a kid that adults had some kind of inner toolbox full of shiny tools: the saw of discernment, the hammer of wisdom, the sandpaper of patience. But then when I grew up I found that life handed you these rusty bent old tools - friendships, prayer, conscience, honesty - and said 'do the best you can with these, they will have to do'. And mostly, against all odds, they do.”
― Anne Lamott, quote from Traveling Mercies: Some Thoughts on Faith

“Publicity is effective precisely because it feeds upon the real. Clothes, food, cars, cosmetics, baths, sunshine are real things to be enjoyed in themselves. Publicity begins by working on a natural appetite for pleasure. But it cannot offer the real object of pleasure and there is no convincing substitute for a pleasure in that pleasure's own terms. The more convincingly publicity conveys the pleasure of bathing in a warm, distant sea, the more the spectator-buyer will become aware that he is hundreds of miles away from that sea and the more remote the chance of bathing in it will seem to him. This is why publicity can never really afford to be about the product or opportunity it is proposing to the buyer who is not yet enjoying it. Publicity is never a celebration of a pleasure-in-itself. Publicity is always about the future buyer. It offers him an image of himself made glamorous by the product or opportunity it is trying to sell. The image then makes him envious of himself as he might be. Yet what makes this self-which-he-might-be enviable? The envy of others. Publicity is about social relations, not objects. Its promise is not of pleasure, but of happiness : happiness as judged from the outside by others. The happiness of being envied is glamour.
Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you. You are observed with interest but you do not observe with interest - if you do, you will become less enviable.
... ...
The spectator-buyer is meant to envy herself as she will become if she buys the product. She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself. One could put this another way : the publicity images steals her love of herself as she is, and offers it back to her for the price of the product. (P. 128)”
― John Berger, quote from Ways of Seeing

“I will do those things which make me happy today and which I can also live with ten years from now.”
― Greg Iles, quote from The Quiet Game

“<…>Tate fell silent.
Ty didn't.
"Since the day I was released, you knocked yourself out. You had my back, you took care of Lexie when we had our thing then you did what you could to help me sort that. It's important to me that you know I'm grateful. I've been tryin' to figure out how I can show how much but, keep thinkin' on it, nothin' comes to mind and I know why. I get it. You're a man who has everything so there is nothing I can hand you that you want or need. And I get that because I am now that same man. So the only thing I can give you are words and, my guess is, that'll be enough. If it isn't, you name it and it's yours."
"Friends do what I did for friends," Tate returned.
"No they don't, Tate. You did what you did for me because you're you. That's what I'm talkin' about."
Tate ws silent a moment then he said, "Well then, you guessed right. Words are enough."
Ty nodded.
Tate tipped his head to the side and asked jokingly, "We done with the near-midnight in the middle of fuckin' nowhere heart-to-heart?"
Ty didn't feel like joking and answered, "No."
"Then what -?"
"Love you, man," Ty interrupted quietly.
"Learned the hard way not to delay in expressing that sentiment so I'm not gonna delay. You call me brother and I got one who's blood who don't mean shit to me and today, all this shit done, rejoicing and reflecting, it hit me that I got two who aren't blood but who do mean something. And you're one of those two."
"Ty-" Tate murmured.
"I will never forget, until I die, what you did for me and my wife and until that day I will never stop bein' grateful."
"Fuck man," Tate whispered.
"Now, do those words work so you get what you did mean to me?"
Silence then, "Yeah, they work."
"Good, then now we're done with our near-midnight, middle of fuckin' nowhere heart-to-heart," Ty declared, turned, opened the door to the Viper and started folding in.
He stopped with his ass nearly to the seat and looked up over the door when Tate called his name.
"I don't have a blood brother," Tate said. "But you should know there's a reason I call you that."<…>”
― Kristen Ashley, quote from Lady Luck

“fact, it’s just crazy enough to be the kind of thing that actually happens in your family. A regular hiding place isn’t good enough for you Froot Loops; you have to use Mount Everest!”
― Gordon Korman, quote from The Emperor's Code

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