“Two plus two. I got this shit.”
― Ali Novak, quote from My Life with the Walter Boys
“Being a girl doesn't make you weak, Parker. It makes you special.”
― Ali Novak, quote from My Life with the Walter Boys
“Everyone got behind Fox, the name the guys had dubbed the red truck.
"Fox?" I asked, raising an eyebrow.
"Yeah," Isaac said with a grin. "Our truck is hot, like Megan Fox.”
― Ali Novak, quote from My Life with the Walter Boys
“You couldn’t control everything, because it wasn’t all meant to be perfect. Sometimes things needed to be messy.”
― Ali Novak, quote from My Life with the Walter Boys
“You're living with a bunch of hot guys, and instead of finding Cole and experiencing some real-life anatomy, you're shacking up with a textbook like a pariah.”
― Ali Novak, quote from My Life with the Walter Boys
“You take up the most room.” “Nobody asked your opinion,” Cole said, glaring at his younger brother in the rearview mirror.”
― Ali Novak, quote from My Life with the Walter Boys
“I don't know what to do about him, Sammy." (Jackie)
"It's not what you do about him. It's what you do with him. Grab him by those big, manly arms that I'm assuming he has, and show him what New York has to offer.”
― Ali Novak, quote from My Life with the Walter Boys
“In their sleep, both boys kept moving closer to me, and when I finally drifted off, there was one arm wrapped around my stomach and one hand intertwined with mine.”
― Ali Novak, quote from My Life with the Walter Boys
Ali Novak
Born place: The United States
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“¿La historia se repite? ¿O se repite sólo como penitencia de quienes son incapaces de escucharla? No hay historia muda. Por mucho que la quemen, por mucho que la rompan, por mucho que la mientan, la historia humana se niega a callarse la boca. El tiempo que fue sigue latiendo, vivo, dentro del tiempo que es, aunque el tiempo que es no lo quiera o no lo sepa. El derecho de recordar no figura entre los derechos humanos consagrados por las Naciones Unidas, pero hoy es más que nunca necesario reivindicarlo y ponerlo en práctica: no para repetir el pasado, sino para evitar que se repita; no para que los vivos seamos ventrílocuos de los muertos, sino para que seamos capaces de hablar con voces no condenadas al eco perpetuo de la estupidez y la desgracia. Cuando está de veras viva, la memoria no contempla la historia, sino que invita a hacerla. Más que en los museos, donde la pobre se aburre, la memoria está en el aire que respiramos; y ella, desde el aire, nos respira.”
― Eduardo Galeano, quote from Upside Down: A Primer for the Looking-Glass World
“The simplicity of living astounds me. But it’s the terror of death that devours me.”
― L.B. Simmons, quote from The Resurrection of Aubrey Miller
“I thought about how in movies, usually action movies, a cheap way of getting the audience to invest in the plot is to endanger the life of a dog. There can be fifty men graphically terminated by machine-gun fire or an entire building full of workers destroyed, but no one will stand for a cute little dog being killed. And almost always, the dog's life is spared to the relief of the audience.”
― quote from Torture the Artist
“listening to Joe and after the game warden had dispatched the suffering animal. “I could see them sending someone out here to shut up The Earl once and for all. They came, shot him, and hung him from the windmill, and they were on a plane back to O’Hare by the time you found him.” “It may be what happened,” Joe said, “but it’s speculation at best. Marcus Hand sent two of his investigators east, and they may come back with something before the trial is over. But they may not. What I have trouble with in that scenario is how this Chicago hit man would know to frame Missy.” Nate said, “They had an insider.” “And who would that be?” “The same guy who told Laurie Talich where she could find me.” “Bud?” “Bingo,” Nate said. “It took a while for me to figure it out and there are still some loose ends I’d like closed, but it makes sense. Missy knew vaguely where I was living because she talks to her daughter, and last year she tried to hire me to put the fear of God into Bud, remember? She might have let it slip to her ex-husband that if he didn’t stop pining over her, she’d drive to Hole in the Wall Canyon and pick me up. Somehow, Bud found out where I was. And by happenstance, he meets a woman in the bar who has come west for the single purpose of avenging her husband. Bud has contacts with the National Guard who just returned from Afghanistan, and he was able to help her get a rocket launcher. Then he drew her a map. He must have been pretty smug about how it all worked out. He thought he was able to take me out of the picture without getting his own hands dirty.” “Bud—what’s happened to him?” Joe asked, not sure he was convinced of Nate’s theory. “Why has he gone so crazy on us?” “A man can only take so”
― C.J. Box, quote from Cold Wind
“Vincent van Gogh committed suicide when he was only thirty-three. It was impossible to live; he could not earn a single cent. His brother used to give him money, but just enough to exist, to survive. He needed money to paint—for the canvas and the colors and the brushes. So this was his arrangement: He used to get money every Sunday for one week, so every week for three days he would eat and for four days he would fast, so that money could be saved to purchase canvases, colors, and other things that he needed. To me, van Gogh’s fasting is far more significant than all the fasts that have been done by your so-called saints. This fasting has something beautiful in it, something spiritual in it. When your so-called saints go on a fast, it is a means; they are fasting so that they can reach heaven and enjoy all the heavenly joys. But van Gogh’s fasting has a totally different quality to it: It is his love to create. And”
― Osho, quote from Living on Your Own Terms: What Is Real Rebellion?
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