The Hunger Games
Quotes from the Book
You love me. Real or not real?" I tell him, "Real.
It takes ten times as long to put yourself back together as it does to fall apart.
Well, don't expect us to be too impressed. We just saw Finnick Odair in his underwear.
You're still trying to protect me. Real or not real," he whispers. "Real," I answer. "Because that's what you and I do, protect each other.
What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again.
Fire is catching! And if we burn, you burn with us!
Finnick?" I say, "Maybe some pants?" He looks down at his legs as if noticing his outfit for the first time. Then he whips off his hospital gown leaving him in just his underwear. "Why? Do you find this" -- he strikes a ridiculously provocative pose -- "distracting?" I laugh. Boggs looks embarrassed and Finnick looks more like the guy I met at the Quarter Quell
I must have loved you a lot.
You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces.
Some walks you have to take alone.
There are much worse games to play.
I clench his hands to the point of pain. "Stay with me." His pupils contract to pinpoints, dialate again rapidly, and then return to something resembling normalcy. "Always," he murmurs.
Ally." Peeta says the words slowly, tasting it. "Friend. Lover. Victor. Enemy. Fiancee. Target. Mutt. Neighbor. Hunter. Tribute. Ally. I'll add it to the list of words I use to try to figure you out. The problem is, I can't tell what's real anymore, and what's made up.
Sometimes when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena.
Are you, are you coming to the tree? Wear a necklace of rope, side by side with me. Strange things did happen here. No stranger would let it be if we met up At midnight in the hanging tree.
Technically, I am unarmed. But no one should ever underestimate the harm that fingernails can do. Especially if the target is unprepared.
I drag myself out of nightmares each morning and find there's no relief in waking.
I think....you still have no idea. The effect you can have.
Closing my eyes doesn't help. Fire burns brighter in the darkness.
That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that.
They'll either want to kill you, kiss you, or be you.
I raise my left arm and twist my neck down to rip off the pill on my sleeve. Instead my teeth sink into flesh. I yank my head back in confusion to find myself looking into Peeta’s eyes, only now they hold my gaze. Blood runs from the teeth marks on the hand he clamped over my nightlock. “Let me go!” I snarl at him, trying to wrest my arm from his grasp. “I can’t,” he says.
Katniss. I remember about the bread.
At a few minutes before four, Peeta turns to me again. "Your favorite colour . . . it's green?" "That's right." Then I think of something to add. "And yours is orange." "Orange?" He seems unconvinced. "Not bright orange. But soft. Like the sunset," I say. "At least, that's what you told me once." "Oh." He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. "Thank you." But more words tumble out. "You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces." Then I dive into my tent before I do something stupid like cry.
But collective thinking is usually short-lived. We're fickle, stupid beings with poor memories and a great gift for self-destruction.
I knew you'd kiss me." "How?" I say. Because I didn't know myself. "Because I am in pain," He say's. "That's the only way I get your attention.
There's a chance that the old Peeta, the one who loves you, is still inside. Trying to get back to you. Don't give up on him.
Oh, Peeta, Don't make me sorry I restarted your heart.
What about Gale?" "He's not a bad kisser either," I say shortly. "And it was okay with both of us? You kissing the other?" He asks. "No. It wasn't okay with either of you. But I wasn't asking your permission," I tell him. Peeta laughs again, coldly, dismissively. "Well, you're a piece of work, aren't you?
Did you know?
- Mockingjay is the final book of The Hunger Games trilogy, following The Hunger Games and Catching Fire.
- The book sold roughly 450,000 copies in its first week of release, exceeding its publisher's expectations.
- Collins has said her father's military career and firsthand insight into the effects of war influenced the trilogy.
- The novel was split into two films, Mockingjay - Part 1 (2014) and Mockingjay - Part 2 (2015).
- The 'mockingjay' is a fictional hybrid bird that becomes the emblem of the rebellion against the Capitol.
About Suzanne Collins
More by Suzanne Collins
The Hunger Games
Gregor the Overlander
Gregor and the Code of Claw
Gregor and the Curse of the Warmbloods
About the book
Mockingjay is the third and final novel in Suzanne Collins's dystopian young adult trilogy The Hunger Games, published by Scholastic Press in 2010. Having survived two Hunger Games, Katniss Everdeen is drawn into open war between the districts of Panem and the tyrannical Capitol. Rescued by the survivors of District 13, she reluctantly agrees to become the "Mockingjay," the symbolic figurehead of a growing rebellion, and must reconcile her role as a propaganda icon with the human cost of the uprising unfolding around her.
The novel deepens the trilogy's central concerns: the brutality and moral ambiguity of warfare, the manipulation of images and propaganda by both the Capitol and the rebellion, and the psychological toll that violence exacts on those caught within it. Collins refuses easy heroism, portraying trauma, loss, and betrayal as inseparable from conflict, and asking whether one form of tyranny can simply replace another. Loyalty, sacrifice, and the difficulty of retaining one's humanity under duress run through Katniss's narration.
Mockingjay was a major commercial and critical success, selling roughly 450,000 copies in its first week and helping cement The Hunger Games as one of the defining series of contemporary young adult fiction. Drawing in part on her father's military service and the effects of war, Collins closed a trilogy widely praised for its unflinching treatment of violence and its complex heroine. The book was adapted into two feature films, released in 2014 and 2015, that concluded the film franchise.
Key characters
- Katniss EverdeenReluctant symbol of the rebellion, the Mockingjay
- Peeta MellarkFellow tribute captured and manipulated by the Capitol
- Gale HawthorneKatniss's close friend and fellow rebel fighter
- President Alma CoinLeader of District 13 and the rebellion
- President Coriolanus SnowTyrannical ruler of the Capitol
- Primrose EverdeenKatniss's younger sister
Book details
- First published
- 2010
- Length
- 390 pages
- Reading time
- 8 hours
- Author
- Suzanne Collins
- Genre
- Fiction
- Goodreads rating
- 4.12 (3.8M ratings) →
- First line
- “I stare down at my shoes, watching as a fine layer of ash settles on the worn leather.”
Series & reading order
- 1 The Hunger Games
- 2 Catching Fire
- 3 Mockingjay
Movie & TV adaptations
- IMDb
- IMDb
If you liked this, read…
- 1DivergentDystopian YA with a young woman rebelling against a rigid society
- 2The Maze RunnerDystopian YA thriller of young people fighting a controlling system
- 3The GiverClassic dystopian novel questioning a seemingly ordered society
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