Quotes from Lone Wolf Rising

Jami Brumfield ·  417 pages

Rating: (705 votes)


“You mean run away? Wolves don't run from a fight." Rebecca Winters in Lone Wolf Rising”
― Jami Brumfield, quote from Lone Wolf Rising


“They're similar to the human idea of the sandman. They used to help people sleep. Now they're more prone to creating nightmares that end in death." Lucky's description of the dream weavers.”
― Jami Brumfield, quote from Lone Wolf Rising


“It's the duty of all witches to maintain balance. Without balance there's no earth, no life, nothing.”
― Jami Brumfield, quote from Lone Wolf Rising


“If you're outmatched, out-numbered, out-skilled, you'll run and live to fight another day." Lucky stopped jogging and pulled her close to him. He gently forced her eyes to lock with his. "You need to understand there are plenty of predators in our world who are far more dangerous than you'll ever be. Those are the ones you need to fear and, in a way, respect." ~ Lucky from Lone Wolf Rising”
― Jami Brumfield, quote from Lone Wolf Rising


“I told my father I would lay down my life, give all I have to my alpha except one thing, my heart. My heart belongs to my mate." Gabriel shook his head and gave her a devilish grin, "It's rather ironic that my new alpha happens to be my mate and has owned my heart since birth.”
― Jami Brumfield, quote from Lone Wolf Rising



About the author

Jami Brumfield
Born place: in Devil's Lake, ND, The United States
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“Belief does not require something to be true. It only requires us to believe that it’s true! That’s powerful stuff! That means most of what reality is, to each of us, is based on what we have come to believe—whether it’s true or not! It is possible that tomorrow morning, in some classroom in some unfriendly foreign nation, there will sit a little boy or girl who is being taught that we are her enemy, and that we are bad. It is also likely that tomorrow morning, in some classroom here in our own country, there will sit a young boy or girl who believes that the other nation is bad. It makes no difference whether it is true or not. It is what they believe. And what they believe will affect their attitudes, feelings, and actions. One day when they grow older, they could shoot at each other. To each of them it would be right. It would be what they believe.”
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"I don't know."

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"I don't love her. She bothers me."

"You have just defined the very thing you denied.”
― Rick Yancey, quote from The Isle of Blood


“Non conosceva abbastanza il bondage o qualunque cosa fosse per potersi formare un’opinione personale.
E visto che la conoscenza era l’unica arma in suo possesso per scacciare la paura, Amery aprì il portatile e digitò
“shibari” nel motore di ricerca.
La prima cosa che cercò fu la definizione.
"Shibari-kinbaku è una tecnica che prevede l’utilizzo di corde per dare
vita a un bondage sensuale, spettacolare ed erotico; questa tecnica ha origine nelle arti marziali giapponesi del XVI secolo, nelle punizioni giudiziarie del Giappone del XVIII secolo e nelle produzioni teatrali giapponesi del XIX secolo"
Approfondì la lettura e apprese che quelle pratiche erano inizialmente basate sulle punizioni del bondage jujitsu chiamato hojojutsu. Non c’era da sorprendersi se Ronin si era interessato a quella tecnica, visto che nasceva da
quell’arte marziale che aveva praticato per tutta la vita.
Sembrava che l’hojojutsu fosse diffuso sin dai tempi dei samurai. Quando essi trasportavano i prigionieri, usavano
delle corde per legarli e controllarli dopo la cattura. Alcuni samurai divennero famosi per la loro abilità nell’intrecciare le corde, attività che doveva essere funzionale, ma anche
umana. I samurai entrarono in competizione tra loro: più elaborate e diverse erano le loro opere, maggiore rispetto acquisiva il maestro della corda. Amery apprese anche che i termini si riferivano a due tipi leggermente diversi della stessa disciplina bondage. Lo shibari era più artistico e si concentrava sulla bellezza del disegno delle corde sulla tela umana, era costituito da motivi elaborati e spesso
veniva messo in scena come performance artistica.
Il kinbaku, sebbene avesse in comune molti nodi e legature con lo Shibari, aveva una carica sessuale più marcata.
Istituiva un legame tra il maestro della corda e la persona che veniva legata, fondato sul contatto della pelle durante il processo di legatura, e spesso i nodi venivano posti in zone erogene strategiche.
The Mastered Series - Legami”
― Lorelei James, quote from Bound


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