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Kindred

by Octavia E. Butler

Kindred, published in 1979, follows Dana Franklin, a twenty-six-year-old Black writer living in 1976 Los Angeles who is repeatedly and involuntarily pulled back through time to an early nineteenth-century Maryland… more

First published 1979 · 264 pages · English

30 quotes ★ 4.31 (287,266) Fiction

Quotes from the Book

Better to stay alive," I said. "At least while there's a chance to get free." I thought of the sleeping pills in my bag and wondered just how great a hypocrite I was. It was so easy to advise other people to live with their pain.
Repressive societies always seemed to understand the danger of "wrong" ideas.
That educated didn’t mean smart. He had a point. Nothing in my education or knowledge of the future had helped me to escape. Yet in a few years an illiterate runaway named Harriet Tubman would make nineteen trips into this country and lead three hundred fugitives to freedom.
...I realized that I knew less about loneliness than I had thought - and much less than I would know when he went away.
She means the devil with people who say you're anything but what you are.
Like all good works of fiction, it lies like the truth.
I'd rather see the others." "What others?" "The ones who make it. The ones living in freedom now." "If any do." "They do." "Some say they do. It's like dying, though, and going to heaven. Nobody ever comes back to tell you about it.
Rufus had caused her trouble, and now he had been rewarded for it. It made no sense. No matter how kindly he treated her now that he had destroyed her, it made no sense.
Then, somehow, I got caught up in one of Kevin's World War II books - a book of excerpts from the recollections of concentration camp survivors. Stories of beatings, starvation, filth, disease, torture, every possible degradation. As though the Germans had been trying to do in only a few years what the Americans had worked at for nearly two hundred. ... Like the Nazis, antebellum whites had known quite a bit about torture - quite a bit more than I ever wanted to learn.
There are so many interesting times we could have visited.
I closed my eyes and saw the children playing their game again. 'The ease seemed so frightening.' I said. 'Now I see why.' 'What?' 'The ease. Us, the children ... I never realized how easily people could be trained to accept slavery.
As a kind of castaway myself, I was happy to escape into the fictional world of someone else's trouble.
I lost an arm on my last trip home.
She lowered her voice to a whisper. “You need to look at some of the niggers they catch and bring back,” she said. “You need to see them—starving, ’bout naked, whipped, dragged, bit by dogs … You need to see them.” “I’d rather see the others.” “What others?” “The ones who make it. The ones living in freedom now.” “If any do.” “They do.” “Some say they do. It’s like dying, though, and going to heaven. Nobody ever comes back to tell you about it.
Frankly, it never occurred to me that I needed someone who looked like me to show me the way. I was ignorant and arrogant and persistent and the writing left me no choice at all.”9
The ease. Us, the children… I never realized how easily people could be trained to accept slavery
in an interview Butler has stated that the meaning of the amputation is clear enough: “I couldn’t really let her come all the way back. I couldn’t let her return to what she was, I couldn’t let her come back whole and that, I think, really symbolizes her not coming back whole. Antebellum slavery didn’t leave people quite whole.”1 Time
Strangely, they seemed to like him, hold him in contempt, and fear him all at the same time. This confused me because I felt just about the same mixture of emotions for him myself. I had thought my feelings were complicated because he and I had such a strange relationship. But then, slavery of any kind fostered strange relationships. Only the overseer drew simple, unconflicting emotions of hatred and fear when he appeared briefly. But then, it was part of the overseer’s job to be hated and feared while the master kept his hands clean.
I lost an arm on my last trip home. My left arm.
I couldn’t let her come back whole and that, I think, really symbolizes her not coming back whole. Antebellum slavery didn’t leave people quite whole.
Daddy’s the only man I know,” he said softly, “who cares as much about giving his word to a black as to a white.
She was strange now, erratic, sometimes needing my friendship, trusting me with her dangerous longings for freedom, her wild plans to run away again; and sometimes hating me, blaming me for her trouble. One
He led the way past the main house away from the slave cabins and other buildings, away from the small slave children who chased each other and shouted and didn’t understand yet that they were slaves.
Someday Rufus would own the plantation. Someday, he would be the slaveholder, responsible in his own right for what happened to the people who lived in those half-hidden cabins. The boy was literally growing up as I watched—growing up because I watched and because I helped to keep him safe. I was the worst possible guardian for him—a black to watch over him in a society that considered blacks subhuman, a woman to watch over him in a society that considered women perennial children. I would have all I could do to look after myself. But I would help him as best I could. And I would try to keep friendship with him, maybe plant a few ideas in his mind that would help both me and the people who would be his slaves in the years to come.
She went to him. She adjusted, became a quieter more subdued person. She didn't kill, but she seemed to die a little.
Slavery was a long slow process of dulling.
You want to know how moral she is?” His tone made me frown. “What do you mean?” “If she chases me any harder, she and I will wind up playing a scene from that Bible she reads. The scene between Potiphar’s wife and Joseph.
Sometimes I wrote things because I couldn't say them, couldn't sort out my feelings about them, couldn't keep them bottled inside me.
But tired as I was, I couldn’t sleep. I thought of Alice, and then of Rufus, and I realized that Rufus had done exactly what I had said he would do: Gotten possession of the woman without having to bother with her husband. Now, somehow, Alice would have to accept not only the loss of her husband, but her own enslavement. Rufus had caused her trouble, and now he had been rewarded for it. It made no sense. No matter how kindly he treated her now that he had destroyed her, it made no sense. I
This is the biggest lot of abolitionist trash I ever saw.” “No it isn’t,” I said. “That book wasn’t even written until a century after slavery was abolished.” “Then why the hell are they still complaining about it?

Did you know?

  • Butler categorized Kindred as "a kind of grim fantasy" rather than straightforward science fiction.
  • The novel is often described as a neo-slave narrative that uses a time-travel framework.
  • It became Butler's best-selling book, with over 450,000 copies sold.
  • In 2003 it was selected as Rochester, New York's book of the year for a community-wide reading program.
  • A graphic novel adaptation by Damian Duffy and John Jennings was published in 2017 by Abrams ComicArts.
  • An eight-episode FX/Hulu television series aired in 2022 before being cancelled after one season.

About Octavia E. Butler

Octavia Estelle Butler (June 22, 1947 – February 24, 2006) was an American science fiction author whose work explored race, power, and human transformation. She won multiple Hugo and Nebula Awards and in 1995 became the first science-fiction writer to receive a MacArthur Fellowship.

More about the author →

About the book

Kindred, published in 1979, follows Dana Franklin, a twenty-six-year-old Black writer living in 1976 Los Angeles who is repeatedly and involuntarily pulled back through time to an early nineteenth-century Maryland plantation. There she meets Rufus Weylin, the white son of a slaveholder who turns out to be her own ancestor, and she is drawn again and again into his life to save him at moments of mortal danger. To ensure her own existence, Dana must survive the brutal realities of plantation slavery while navigating an impossible bond with the boy who will become her forebear.

Octavia E. Butler used the framework of speculative fiction to write what is often described as a neo-slave narrative, collapsing the distance between the modern reader and the world of American slavery. The novel confronts the master-slave power dynamic, the workings of race as a social construct, and the compromises survival demands, refusing to let its narrator or its audience stand safely outside history. Dana's marriage to her white husband Kevin and her forced relationship to the Weylin household keep questions of complicity, kinship, and endurance constantly in view.

Kindred became Butler's best-selling book and a fixture of high school and college courses in Black literature and women's studies, frequently chosen for community-wide reading programs. Its lasting influence is reflected in later adaptations, including a 2017 graphic novel adaptation by Damian Duffy and John Jennings and a 2022 FX/Hulu television series. The novel endures as one of the most widely read works by a foundational figure in American speculative fiction.

Key characters

  • Dana FranklinThe protagonist and narrator, a modern Black writer pulled back in time to a Maryland plantation
  • Kevin FranklinDana's white husband, a writer who witnesses slavery's brutality
  • Rufus WeylinThe red-haired son of a plantation owner who becomes Dana's ancestor
  • Alice GreenwoodA free Black woman forced into slavery, mother of Dana's ancestor Hagar
  • Tom WeylinThe harsh plantation owner and master
  • SarahThe plantation cook

Book details

First published
1979
Length
264 pages
Reading time
16 hours
Genre
Fiction
Goodreads rating
4.31 (287k ratings)
First line
“I lost an arm on my last trip home.”

Movie & TV adaptations

  • IMDb
    Kindred: A Graphic Novel Adaptation 2017

    Adapted by Damian Duffy and illustrated by John Jennings (Abrams ComicArts)

  • IMDb
    Kindred 2022

    An eight-episode FX/Hulu television series cancelled after one season

If you liked this, read…

  1. 1
    BelovedToni Morrison's novel likewise confronts the trauma and haunting legacy of American slavery
  2. 2
    The Underground RailroadColson Whitehead blends historical slavery with speculative elements much as Butler does
  3. 3
    Parable of the SowerAnother landmark Octavia E. Butler novel exploring survival, power, and race

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