“It's not much. You begin by thinking there is something extraordinary about it. But you'll find out, when you've been out in the world a while longer, unhappiness is the commonest thing there is.”
― Erich Maria Remarque, quote from Flotsam
“Someone said to me once that a cigarette at the right moment is better than all the ideals in the world.”
― Erich Maria Remarque, quote from Flotsam
“A man can gasp out his life beside you-and you feel none of it. Pity, Sympathy, sure-but you don't feel the pain. Your belly is whole and that's what counts. A half-yard away someone's world is snuffled out in roaring agony-and you feel nothing. That's the misery of the world.”
― Erich Maria Remarque, quote from Flotsam
“A crude age. Peace is stabilized with cannon and bombers, humanity with concentration camps and pogroms. We're living in a time when all standards are turned upside-down, Kern. Today the aggressor is the shepherd of peace, and the beaten and hunted are the troublemakers of the world. What's more, there are whole races who believe it!”
― Erich Maria Remarque, quote from Flotsam
“Today the aggressor is the shepherd of peace, and the beaten and hunted are the troublemakers of the world. What's more, there are whole races who believe it!”
― Erich Maria Remarque, quote from Flotsam
“The more primitive a man is the better he believes himself to be.”
― Erich Maria Remarque, quote from Flotsam
“Suddenly he knew all the things he should have said.”
― Erich Maria Remarque, quote from Flotsam
“Courage is the fairest adornment of youth.”
― Erich Maria Remarque, quote from Flotsam
“The heroes of ancient Greece wept more often than our silly, sentimental modern women. They knew it did no good to hold it back. Our ideal is the impassive courage of a statue. Unnecessary. Be sad and then you'll soon be over it.”
― Erich Maria Remarque, quote from Flotsam
“The music surged down the stairs like a flashing stream—it gathered in the corridor and burst like a waterfall through the wide entry doors. It splashed over a small, lonely figure crouching on the lowest step, dark and colorless like an un-moving lump of black, a little hillock with mad, unresting eyes. It was the old man who had freed himself with such difficulty from the unrelenting window. He crouched in the corner, lost and done for, with bowed shoulders and knees drawn high, as though he would never rise again—and over him, and away in gay and flashing cascades, the music splashed and danced, strong, pitiless, unceasing as life itself.”
― Erich Maria Remarque, quote from Flotsam
“Only the French, I thought, could attain orgasm by listening to themselves. It was self-inflicted oral sex. A DIY blowjob.”
― Stephen Clarke, quote from A Year in the Merde
“He wasn’t a religious man but a vision of what Paradise might be came to him, a windowed room afloat on an endless sea, walls packed floor to ceiling with all the books ever written or dreamed of. It was nearly enough to make giving up the world bearable.”
― Michael Crummey, quote from Galore
“this reaction. This was on college campuses, exactly the kind of environment where I had expected curiosity, lively debate, and, yes, the thrill and energy of like-minded activists. Instead almost every campus audience I encountered bristled with anger and protest. I was accustomed to radical Muslim students from my experience as an activist and a politician in Holland. Any time I made a public speech, they would swarm to it in order to shout at me and rant in broken Dutch, in sentences so fractured you wondered how they qualified as students at all. On college campuses in the United States and Canada, by contrast, young and highly articulate people from the Muslim student associations would simply take over the debate. They would send e-mails of protest to the organizers beforehand, such as one (sent by a divinity student at Harvard) that protested that I did not “address anything of substance that actually affects Muslim women’s lives” and that I merely wanted to “trash” Islam. They would stick up posters and hand out pamphlets at the auditorium. Before I’d even stopped speaking they’d be lining up for the microphone, elbowing away all non-Muslims. They spoke in perfect English; they were mostly very well-mannered; and they appeared far better assimilated than their European immigrant counterparts. There were far fewer bearded young men in robes short enough to show their ankles, aping the tradition that says the Prophet’s companions dressed this way out of humility, and fewer girls in hideous black veils. In the United States a radical Muslim student might have a little goatee; a girl may wear a light, attractive headscarf. Their whole demeanor was far less threatening, but they were omnipresent. Some of them would begin by saying how sorry they were for all my terrible suffering, but they would then add that these so-called traumas of mine were aberrant, a “cultural thing,” nothing to do with Islam. In blaming Islam for the oppression of women, they said, I was vilifying them personally, as Muslims. I had failed to understand that Islam is a religion of peace, that the Prophet treated women very well. Several times I was informed that attacking Islam only serves the purpose of something called “colonial feminism,” which in itself was allegedly a pretext for the war on terror and the evil designs of the U.S. government. I was invited to one college to speak as part of a series of”
― Ayaan Hirsi Ali, quote from Nomad: From Islam to America: A Personal Journey Through the Clash of Civilizations
“The believer's cross is no longer any and every kind of suffering, sickness, or tension, the bearing of which is demanded. The believer's cross must be, like his Lord's, the price of his social nonconformity. It is not, like sickness or catastrophe, an inexplicable, unpredictable suffering; it is the end of the path freely chosen after counting the cost. It is not, like Luther's or Thomas Muntzer's or Zinzendorf's or Kierkegaard's cross, an inward wrestling of the sensitive soul with self and sin; it is the social reality of representing in an unwilling world the Order to come.”
― John Howard Yoder, quote from The Politics of Jesus
“Those interested in excellent, discomfort-inducing horror should read the first four chapters of The Beetle. Those interested in watching potential be wasted should continue beyond that.”
― quote from The Encyclopedia of Fantastic Victoriana
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