“If you’d rather I didn’t stay—” I began.
“I invited you.”
“After sustaining a head injury. Which means you aren’t responsible for anything you said last night . . . except for the part where you forgave me for wrecking your car.”
“You were run off the road.”
“I still feel bad. It was a nice car.” I paused. “I’m also sorry about almost getting you killed.”
“She says, as an afterthought.”
“It was a really nice car.”
― Kelley Armstrong, quote from Deceptions
“You will leave her alone,” Gabriel said. “One way or another.”
“That sounds like a death threat, Walsh.”
“Then you lack imagination.”
― Kelley Armstrong, quote from Deceptions
“Demons are a very human creation. You look for ways to explain evil, and instead of seeing it in yourselves, you offload the responsibility onto monsters. The monstrous exists in the mirror, not in the sulfurous depths of some fantasy world.”
― Kelley Armstrong, quote from Deceptions
“I find fairies with cell phones disconcerting enough. Do they really need to use text talk?”
― Kelley Armstrong, quote from Deceptions
“Cwn Annwn,” I said. “I think I’m finally pronouncing that right. Welsh. So many letters. So few vowels.”
― Kelley Armstrong, quote from Deceptions
“She told you something?"
"Yes. You're evil."
His brows shot up. "That's news?”
― Kelley Armstrong, quote from Deceptions
“Don't apologize."
"I wasn't-"
"Not in words, but it was clear from your tone. Apology suggests that you are keeping me from doing what I need to do, which implies I am somehow powerless to do otherwise. It's a choice, Olivia.”
― Kelley Armstrong, quote from Deceptions
“There is no escape from the prison of the mind.”
― Kelley Armstrong, quote from Deceptions
“I want limits, damn it. I’ll accept omens and portents and second sight. I’ll accept giant black hounds and creepy ravens and magpies. I’m still working out the fae and Wild Hunt thing. But I draw the line at people disappearing into thin air.”
― Kelley Armstrong, quote from Deceptions
“I believe you are conflating your fantasy worlds.” “You”
― Kelley Armstrong, quote from Deceptions
“On Christ’s glory I would fix all my thoughts and desires, and the more I see of the glory of Christ, the more the painted beauties of this world will wither in my eyes and I will be more and more crucified to this world. It will become to me like something dead and putrid, impossible for me to enjoy.”
― John Owen, quote from The Glory of Christ
“The Dimwit's Guide to the Female Mind might assist your efforts in understanding human females. But it must be pointed out that this subject can be a dangerous adventure and should be undertaken with extreme caution. After all, human males have been trying to understand their females for generations, and most of the time they come away from these encounters looking like someone stuck their tails into an electric socket.”
― Anne Bishop, quote from Marked in Flesh
“What is our life: (Pause.) it’s looking forward or it’s looking back. And that’s our life. That’s it. Where is the moment?”
― David Mamet, quote from Glengarry Glen Ross
“غيري يكتب كما يتكلم ، و أنا أكتب كما ألتزم الصمت”
― Amin Maalouf, quote from Balthasar's Odyssey
“Taking Off Emily Dickinson’s Clothes
First, her tippet made of tulle,
easily lifted off her shoulders and laid
on the back of a wooden chair.
And her bonnet,
the bow undone with a light forward pull.
Then the long white dress, a more
complicated matter with mother-of-pearl
buttons down the back,
so tiny and numerous that it takes forever
before my hands can part the fabric,
like a swimmer’s dividing water,
and slip inside.
You will want to know
that she was standing
by an open window in an upstairs bedroom,
motionless, a little wide-eyed,
looking out at the orchard below,
the white dress puddled at her feet
on the wide-board, hardwood floor.
The complexity of women’s undergarments
in nineteenth-century America
is not to be waved off,
and I proceeded like a polar explorer
through clips, clasps, and moorings,
catches, straps, and whalebone stays,
sailing toward the iceberg of her nakedness.
Later, I wrote in a notebook
it was like riding a swan into the night,
but, of course, I cannot tell you everything—
the way she closed her eyes to the orchard,
how her hair tumbled free of its pins,
how there were sudden dashes
whenever we spoke.
What I can tell you is
it was terribly quiet in Amherst
that Sabbath afternoon,
nothing but a carriage passing the house,
a fly buzzing in a windowpane.
So I could plainly hear her inhale
when I undid the very top
hook-and-eye fastener of her corset
and I could hear her sigh when finally it was unloosed,
the way some readers sigh when they realize
that Hope has feathers,
that Reason is a plank,
that Life is a loaded gun
that looks right at you with a yellow eye.”
― Billy Collins, quote from Picnic, Lightning
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