Maud Hart Lovelace · 352 pages
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“Isn't it mysterious to begin a new journal like this? I can run my fingers through the fresh clean pages but I cannot guess what the writing on them will be.”
― Maud Hart Lovelace, quote from Betsy in Spite of Herself
“The silence in the room had width, height, depth, mass and substance.”
― Maud Hart Lovelace, quote from Betsy in Spite of Herself
“When there are boys you have to worry about how you look, and whether they like you, and why they like another girl better, and whether they're going to ask you to something or other. It's a strain.”
― Maud Hart Lovelace, quote from Betsy in Spite of Herself
“Betsy dreamed about going away from Deep Valley, but she didn't for a moment suspect that around a bend in her Winding Hall of Fate a journey was actually waiting.”
― Maud Hart Lovelace, quote from Betsy in Spite of Herself
“Did he know that she was so dissatisfied with herself that she was always pretending to be different? Probably he did, and despised her for it. More than anyone she knew, Joe Willard was always, fearlessly, himself.”
― Maud Hart Lovelace, quote from Betsy in Spite of Herself
“It was a girl playing a harp, like in an orchestra. It was in this tree at our campsite. And since it was breezy weather that weekend, the girl's arms were almost always turning.”
― Paul Fleischman, quote from Whirligig
“However, often when fatal things are happening, you don't know at the time that they're fatal. You get an inkling that they're Not Good, that they Haven't Helped, but only the passage of time will reveal just how bad they are.”
― Marian Keyes, quote from Angels
“Morality is temporary, wisdom is permanent.”
― Hunter S. Thompson, quote from Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century
“Si j'étais le soleil, je chercherais un autre endroit pour illuminer, un endroit où les gens n'utiliseraient pas ma lumière pour faire des choses horribles.”
― Uzodinma Iweala, quote from Beasts of No Nation
“...The editors of (i)Life(i) rejected Kerész'a photographs when he arrived in the United States in 1937 because, they said, his images 'spoke too much'; they made us reflect, suggested a meaning — a different meaning from the literal one. Ultimately, Photography is subversive not when it frightens, repels, or even stigmatizes, but when it is (i)pensive(i), when it thinks.”
― Roland Barthes, quote from Camera Lucida: Reflections on Photography
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