“I'm not hovering. I just thought you might be interested in knowing that Nell's boss is here."
Max stopped typing. "Bishop?"
"Yep."
"What's he doing here?"
"Apparently just finished up another investigation in Chicago.""So what's he doing here?"
Ethan grinned. "I'm trying to make out whether you consider him a rival or just somebody who's going to
spirit Nell back to Virginia.”
― Kay Hooper, quote from Whisper of Evil
“Yes, I also came home to settle my father's estate."
"Would you have come home if it hadn't also been your job?"
"I think you know the answer to that."
"You hated him, didn't you?"
Nell poured the coffee and pushed his cup across the counter to him so he could fix it the way he liked.
Matter-of-factly, she said, "Yes, I hated him. And I think it's a cosmic joke that I ended up with all his
property.”
― Kay Hooper, quote from Whisper of Evil
“She didn't. I hadn't seen or spoken to Hailey since I left Silence."
He frowned. "Then she made that stuff up?"
Nell sipped her coffee, then smiled. "She always made stuff up, Max. Didn't you know?"
"You're saying she was a liar?"
"Sweet, friendly Hailey. So charming, so good-tempered. And she had a way about her, didn't she? A
way of… getting people behind her. A way of making people believe her. Not exactly my strong suit,
huh?”
― Kay Hooper, quote from Whisper of Evil
“Abruptly, she said, "I wonder what she did to so alienate our father that he disinherited her. Do you
know?"
"Supposedly… she ran off with Glen Sabella. He was a mechanic, and he was married. Gossip had it
that your father was furious, especially since—"
"Since both his wife and his other daughter had also run off without a word.”
― Kay Hooper, quote from Whisper of Evil
“If he pushed too often or too hard, she was very capable of, at the very least, calling
her boss or her invisible partner and having Max put on ice somewhere while she went on working.
The girl twelve years ago couldn't have done that, but this woman certainly could. And would.”
― Kay Hooper, quote from Whisper of Evil
“But we all suffer. For we all prize and love; and in this present existence of ours, prizing and loving yield suffering. Love in our world is suffering love. Some do not suffer much, though, for they do not love much. Suffering is for the loving. This, said Jesus, is the command of the Holy One: "You shall love your neighbor as yourself." In commanding us to love, God invites us to suffer.”
― Nicholas Wolterstorff, quote from Lament for a Son
“There’s no fool like a fool who thinks he’s charming. On”
― James Crumley, quote from The Last Good Kiss
“Also ist mein Sohn ein Simpel.'
In einer Hinsicht. Aber der größte Teil der Menschheit ist so. Weil es sonst zu schwer zu ertragen ist, Mensch zu sein. Im Gegensatz zu den Tieren wissen wir zu viel. Sie, die anderen Tiere, wissen gerade genug, um ihren Job zu machen und zu sterben. Um zu essen, zu schlafen, zu vögeln, Babys zu kriegen und zu sterben.”
― John Updike, quote from Terrorist
“What makes a man a man are his deeds, his responsibilities, and his reactions... These things are also what makes a man a monster.”
― Shannon Delany, quote from 13 to Life
“Somewhere in his heart he had recognized who she was. His dominant wish, however, was to go a little longer without recognizing her. The woman’s face floating in its dark seclusion, no name yet attached to it, had the character of a mysterious, lovely apparition. It was like the scent of the fragrant olive which, as one walks along a path at night, tells of the blossoms before one sees them. Isao wanted to keep things just as they were, if only for an instant more. At this moment a woman was a woman, not someone with a name attached to her.
And that was not all. Because of her hidden name, because of the agreement not to speak that name, she was transmuted into a marvelous essence, like a moonflower, its supporting vine invisible, floating high up in the darkness. This essence which preceded existence, this phantasm which preceded reality, this portent which preceded the event conveyed with unmistakable force the presence of a substance yet more powerful. This presence which showed itself as gliding through air—this was woman.
Isao had yet to embrace a woman. Still, never so strongly at this moment, when he keenly sensed this “womanliness that preceded woman,” had he felt that he too knew what ecstasy meant. For this was a presence that he could even now embrace. In time, that is, it had drawn near with an exquisite subtlety, and in space it was only a little distant. The affectionate emotion that filled his breast was like a vapor that could envelop her. And yet once she was gone, Isao, like a child, could forget her entirely.”
― Yukio Mishima, quote from Runaway Horses
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