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What I Talk About When I Talk About Running

by Haruki Murakami

"What I Talk About When I Talk About Running" is a memoir by the Japanese novelist Haruki Murakami, first published in Japanese in 2007 and in Philip Gabriel's English translation in 2008. Framed largely around his… more

First published 2007 · 175 pages · English

29 quotes ★ 3.86 (213,627) Nonfiction

Quotes from the Book

Pain is inevitable. Suffering is optional.
The most important thing we learn at school is the fact that the most important things can't be learned at school.
So the fact that I’m me and no one else is one of my greatest assets. Emotional hurt is the price a person has to pay in order to be independent.
I’m the kind of person who likes to be by himself. To put a finer point on it, I’m the type of person who doesn’t find it painful to be alone. I find spending an hour or two every day running alone, not speaking to anyone, as well as four or five hours alone at my desk, to be neither difficult nor boring. I’ve had this tendency ever since I was young, when, given a choice, I much preferred reading books on my own or concentrating on listening to music over being with someone else. I could always think of things to do by myself.
I look up at the sky, wondering if I'll catch a glimpse of kindness there, but I don't. All I see are indifferent summer clouds drifting over the Pacific. And they have nothing to say to me. Clouds are always taciturn. I probably shouldn't be looking up at them. What I should be looking at is inside of me. Like staring down into a deep well. Can I see kindness there? No, all I see is my own nature. My own individual, stubborn, uncooperative often self-centered nature that still doubts itself--that, when troubles occur, tries to find something funny, or something nearly funny, about the situation. I've carried this character around like an old suitcase, down a long, dusty path. I'm not carrying it because I like it. The contents are too heavy, and it looks crummy, fraying in spots. I've carried it with me because there was nothing else I was supposed to carry. Still, I guess I have grown attached to it. As you might expect.
People sometimes sneer at those who run every day, claiming they'll go to any length to live longer. But don't think that's the reason most people run. Most runners run not because they want to live longer, but because they want to live life to the fullest. If you're going to while away the years, it's far better to live them with clear goals and fully alive then in a fog, and I believe running helps you to do that. Exerting yourself to the fullest within your individual limits: that's the essence of running, and a metaphor for life — and for me, for writing as whole. I believe many runners would agree
I've always done whatever I felt like doing in life. People may try to stop me, and convince me I'm wrong, but I won't change.
Nothing in the real world is as beautiful as the illusions of a person about to lose consciousness.
All I do is keep on running in my own cozy, homemade void, my own nostalgic silence. And this is a pretty wonderful thing. No matter what anybody else says.
Pain is inevitable. Suffering is optional. Say you’re running and you think, ‘Man, this hurts, I can’t take it anymore. The ‘hurt’ part is an unavoidable reality, but whether or not you can stand anymore is up to the runner himself.
If you're young and talented, it's like you have wings.
I'm often asked what I think about as I run. Usually the people who ask this have never run long distances themselves. I always ponder the question. What exactly do I think about when I'm running? I don't have a clue.
When I'm running I don't have to talk to anybody and don't have to listen to anybody. This is a part of my day I can't do without.
For me, running is both exercise and a metaphor. Running day after day, piling up the races, bit by bit I raise the bar, and by clearing each level I elevate myself. At least that’s why I’ve put in the effort day after day: to raise my own level. I’m no great runner, by any means. I’m at an ordinary – or perhaps more like mediocre – level. But that’s not the point. The point is whether or not I improved over yesterday. In long-distance running the only opponent you have to beat is yourself, the way you used to be.
In other words, let's face it: Life is basically unfair. But even in a situation that's unfair, I think it's possible to seek out a kind of fairness. Of course, that might take time and effort. And maybe it won't seem to be worth all that. It's up to each individual to decide whether or not it is.
In certain areas of my life, I actively seek out solitude. Especially for someone in my line of work, solitude is, more or less, an inevitable circumstance. Sometimes, however, this sense of isolation, like acid spilling out of a bottle, can unconsciously eat away at a person's heart and dissolve it. You could see it, too, as a kind of double-edged sword. It protects me, but at the same time steadily cuts away at me from the inside.
Of course it was painful, and there were times when, emotionally, I just wanted to chuck it all. But pain seems to be a precondition for this kind of sport. If pain weren't involved, who in the world would ever go to the trouble of taking part in sports like the triathlon or the marathon, which demand such an investment of time and energy? It's precisely because of the pain, precisely because we want to overcome that pain, that we can get the feeling, through this process, of really being alive--or at least a partial sense of it. Your quality of experience is based not on standards such as time or ranking, but on finally awakening to an awareness of the fluidity within action itself.
Sometimes taking time is actually a shortcut.
Being active every day makes it easier to hear that inner voice.
The thoughts that occur to me while I’m running are like clouds in the sky. Clouds of all different sizes. They come and they go, while the sky remains the same sky always. The clouds are mere guests in the sky that pass away and vanish, leaving behind the sky.
It doesn’t matter how old I get, but as long as I continue to live I’ll always discover something new about myself.
To keep on going, you have to keep up the rhythm.
I'll be happy if running and I can grow old together.
You have to wait until tomorrow to find out what tomorrow will bring.
I am struck by how, except when you're young, you really need to prioritize in life, figuring out in what order you should divide up your time and energy. If you don't get that sort of system set by a certain age, you'll lack focus and your life will be out of balance.
Nobody's going to win all the time. On the highway of life you can't always be in the fast lane.
I don't think most people would like my personality. There might be a few--very few, I would imagine--who are impressed by it, but only rarely would anyone like it. Who in the world could possibly have warm feelings, or something like them, for a person who doesn't compromise, who instead, whenever a problem crops up, locks himself away alone in a closet? But is it ever possible for a professional writer to be liked by people? I have no idea. Maybe somewhere in the world it is. It's hard to generalize. For me, at least, I've written novels over many years, I just can't picture someone liking me on a personal level. Being disliked by someone, hated and despised, somehow seems more natural. Not that I'm relieved when that happens. Even I'm not happy when someone dislikes me.
Forgive me for stating the obvious, but the world is made up of all kinds of people.
The fact that I’m me and no one else is one of my greatest assets. Emotional hurt is the price a person has to pay in order to be independent.

Did you know?

  • The book's title is a play on Raymond Carver's short-story collection "What We Talk About When We Talk About Love," and Murakami is Carver's Japanese translator.
  • Murakami took up long-distance running around 1982 after selling the Tokyo jazz bar he had operated with his wife to write full time.
  • The memoir centers on his training for the 2005 New York City Marathon.
  • He recounts running the original course from Athens to Marathon in Greece, a distance he covered solo.
  • The English translation, published in 2008, is the work of translator Philip Gabriel.

About Haruki Murakami

Haruki Murakami (born January 12, 1949, in Kyoto, Japan) is a Japanese novelist, short-story writer, and translator whose imaginative, often surreal fiction — including Norwegian Wood, The Wind-Up Bird Chronicle, Kafka on the Shore, and 1Q84 — has become internationally bestselling. Before publishing his first novel he ran a Tokyo jazz bar, and he has translated American authors such as Raymond Carver and F. Scott Fitzgerald into Japanese.

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About the book

"What I Talk About When I Talk About Running" is a memoir by the Japanese novelist Haruki Murakami, first published in Japanese in 2007 and in Philip Gabriel's English translation in 2008. Framed largely around his four-month preparation for the 2005 New York City Marathon, the book is part training log, part travelogue, and part reminiscence, moving between running locales such as Kauai, Tokyo's Jingu Gaien gardens, the Charles River in Boston, and a solo run of the original course from Athens to Marathon.

At its center is the idea, announced by Murakami himself, that running is both exercise and metaphor. He traces how he took up long-distance running around 1982 after selling the Tokyo jazz bar he had run with his wife, and how the daily discipline of training mirrors the solitary, endurance-driven work of writing novels. Along the way he recalls the "eureka" moment when he decided to become a writer, reflects on aging as his race times improve and then decline after fifty, and describes an ultramarathon in Hokkaido and a triathlon in Niigata.

The title deliberately echoes Raymond Carver's story collection "What We Talk About When We Talk About Love" — fitting, since Murakami is Carver's Japanese translator. By turns funny and sober, playful and philosophical, the memoir is unusually personal for a writer known for guarding his privacy, and it has become a touchstone for readers interested in the links between physical discipline and creative work.

Book details

First published
2007
Length
175 pages
Reading time
3 hours
Goodreads rating
3.86 (214k ratings)

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