Quotes from The Supernaturalist

Eoin Colfer ·  267 pages

Rating: (25.2K votes)


“In comic books, people with gifts became superheroes; in real life they became outcasts.”
― Eoin Colfer, quote from The Supernaturalist


“Whatever their circumstances, people still had to eat, live, and love.”
― Eoin Colfer, quote from The Supernaturalist


“Any of these vultures smell weakness, and they’ll mess you up faster than sugar in a gas tank.”
― Eoin Colfer, quote from The Supernaturalist


“Mona began firing with deadly accuracy, also with a stream of Spanish words that Cosmo suspected were not taught in kindergarten.”
― Eoin Colfer, quote from The Supernaturalist


“Mona was half ninja, half gunslinger, popping off charge after charge into the blue creatures.”
― Eoin Colfer, quote from The Supernaturalist



“world was dripping down his eyeballs like wet oil paint down a canvas.”
― Eoin Colfer, quote from The Supernaturalist


“Cosmo was halfway through a particularly nasty dream involving two Parasites, Ziplock, and a hair dryer,”
― Eoin Colfer, quote from The Supernaturalist


“Some instruments seemed like they were held together with duct tape and prayers. Everything looked out of date.”
― Eoin Colfer, quote from The Supernaturalist


“Cosmo sank into a near trancelike state. The events of the past few days bounced around his head like blobs of oil in a lava lamp. Who was he now? Cosmo Hill fugitive no-sponsor, or Cosmo Hill Supernaturalist? Who was Cosmo Hill anyhow? A product of Clarissa Frayne, with no personality to speak of. Fourteen years old and he had never kissed a girl.”
― Eoin Colfer, quote from The Supernaturalist


“Myishi will kick Phonetix’s butt next quarter.”
― Eoin Colfer, quote from The Supernaturalist



About the author

Eoin Colfer
Born place: in Wexford, Ireland
Born date May 14, 1965
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“For the concept of the supplement - which here determines that of the representative image - harbors within itself two significations whose cohabitation is as strange as it is necessary. The supplement adds itself, it is a surplus, a plenitude enriching another plenitude, the fullest measure of presence. But the supplement supplements. It adds only to replace. It intervenes or insinuates itself in-the-place-of; if it fills, it is as one fills a void. If it represents and makes an image, it is by the anterior default of a presence. The sign is always the supplement of the thing itself. The supplement will always be the moving of the tongue or acting through the hands of others. In it everything is brought together: Progress as the possibility of perversion, regression toward an evil that is not natural and that adheres to the power of substitution, that permits us to absent ourselves and act by proxy, through the hands of others. Through the written. This substitution always has the form of the sign. The scandal is that the sign, the image, or the representer, become forces and make "the world move". Blindness to the supplement is the law. We must begin wherever we are and the thought of the trace, which cannot take the scent into account, has already taught of the trace, which cannot not take the scent into account, has already taught us that it was impossible to justify a point of departure absolutely, Wherever we are: in a text where we already believe ourselves to be.”
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