“I’m not sure bravery is something you acquire more of with age, like wisdom—but maybe here, in Dauntless, bravery is the highest form of wisdom, the acknowledgment that life can and should be lived without fear.”
― Veronica Roth, quote from The Son
“maybe here, in dauntless, bravery is the highest form of wisdom. the acknowledgement that life can and should be lived without fear”
― Veronica Roth, quote from The Son
“That’s what I really want—to shed all the people who want to form and shape me, one by one, and learn instead to form and shape myself.”
― Veronica Roth, quote from The Son
“I’ve faced my fears so many times in simulations, but that doesn’t mean I’m ready to face them in reality.”
― Veronica Roth, quote from The Son
“I think I just don't like when I'm not given a choice”
― Veronica Roth, quote from The Son
“Power should be given only to those who earn it”
― Veronica Roth, quote from The Son
“He'd rather have anyone but you. He's not going to give you more than an inch in any direction. So good luck with your short leash.”
― Veronica Roth, quote from The Son
Veronica Roth
Born place: in The United States
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“But the melancholy of Worlorn's dying forests had seeped into his flesh, and he saw Gwen through tainted eyes, a doll figure in a suit as faded as despair.”
― George R.R. Martin, quote from Dying of the Light
“Igual que en la ética el mal es consecuencia del bien, en realidad de la alegría nace la tristeza. O la memoria de la dicha pasada es la angustia de hoy, o las agonías que son se originan en los éxtasis que pudieron haber sido.”
― Edgar Allan Poe, quote from Berenice
“In America, Fredericka, they don't really have trains for people. The trains here are used mainly to transport pigs, television sets, and fruit.”
― Mark Helprin, quote from Freddy and Fredericka
“The Bostonians is special because it never was ‘titivated’ for the New York edition, for its humour and its physicality, for its direct engagement with social and political issues and the way it dramatized them, and finally for the extent to which its setting and action involved the author and his sense of himself. But the passage above suggests one other source of its unique quality. It has been called a comedy and a satire – which it is. But it is also a tragedy, and a moving one at that. If its freshness, humour, physicality and political relevance all combine to make it a peculiarly accessible and enjoyable novel, it is also an upsetting and disturbing one, not simply in its treatment of Olive, but also of what she tries to stand for. (Miss Birdseye is an important figure in this respect: built up and knocked down as she is almost by fits and starts.) The book’s jaundiced view of what Verena calls ‘the Heart of humanity’ (chapter 28) – reform, progress and the liberal collectivism which seems so essential an ingredient in modern democracy – makes it contentious to this day. An aura of scepticism about the entire political process hangs about it: salutary some may say; destructive according to others. And so, more than any other novel of James’s, it reminds us of the literature of our own time. The Bostonians is one of the most brilliant novels in the English language, as F. R. Leavis remarked;27 but it is also one of the bleakest. In no other novel did James reveal more of himself, his society and his era, and of the human condition, caught as it is between the blind necessity of progress and the urge to retain the old. It is a remarkably experimental modern novel, written by a man of conservative values. It is judgemental about people with whom its author identified, and lenient towards attitudes hostile to large areas of James’s own intellectual and personal inheritance. The strength of the contradictions embodied in the novel are a guarantee of the pleasure it has to give.”
― Henry James, quote from The Bostonians
“Ter a porta fechada, os lábios fechados: mas o meu silêncio proclama ordens."tu não dizes nada, e eu vou" ou "não dizes nada, e eu não vou". Toda a minha presença é palavra. Avança então, avança no lodo da noite. Decide. Eu decidi a tua morte e não estamos pagos. Mais ainda. Queria pedir misericórdia: não há misericórdia.”
― Simone de Beauvoir, quote from The Blood of Others
The Best of Me
The Passion
Uprooted
Hollow City
A Memory of Light
Hate ListBookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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