“Но има два вида интелигентност, както казва майка ми - на ума и на сърцето...
Най-свестните хора, които съм срещал, притежават нещо, което Норвал няма: интелигентност на сърцето. Доброта, щедрост, търпимост, приемане на слабостта.”
― Jeffrey Moore, quote from The Memory Artists
“Не забравяй, че понякога преследването на разумното е също форма на лудост.”
― Jeffrey Moore, quote from The Memory Artists
“Scientists can talk about human nature,but only poets can free those feelings we keep in the pent heart”
― Jeffrey Moore, quote from The Memory Artists
“At the top of the heap is poetry,at least as it used to be written.Nothing else goes far,nothing goes as deep n the blood and soul.Shakespeare surpasses Beethoven because he had sound and meaning.Always remember that as you get older.Poetry is in the emprean,TV is in the pit”
― Jeffrey Moore, quote from The Memory Artists
“So why was the goddess of Memory linked with artistic creation,you may well ask"
"Because for the Greeks creativity wasn't associated with the idea of producing something new-as it is today.The artist built upon, or reworked, the great intellectual and cultural achievements of the past.
So a great memory,you see, was considered a key part of creative activity- it gave the artist more material to draw upon, as well as a richer, more complex intellect. When James Joyce said ' I invented nothing, but I forgot nothing either," I think he was referring to exactly this sort of thing. ”
― Jeffrey Moore, quote from The Memory Artists
“... за него животът беше търсене на съкровище, а светът - пещерата на Аладин.”
― Jeffrey Moore, quote from The Memory Artists
“Ако искаш да видиш дъга, трябва да изтърпиш дъжда.”
― Jeffrey Moore, quote from The Memory Artists
“Единствената разлика между живота в коловоз и гроба е в дълбочината.”
― Jeffrey Moore, quote from The Memory Artists
“Меланхолията се отразява добре на изкуството.”
― Jeffrey Moore, quote from The Memory Artists
“Still, being alone doesn't mean you have to be miserable. In that sense it's different from losing something. You've still got yourself, even if you lose everything else. You've got to have faith in yourself and not get down just because you're on your own.”
― Yōko Ogawa, quote from The Diving Pool: Three Novellas
“She was flustered; he could see it in the
way she kept twisting her fingers together. Did she think he was going to throw her down
on the seat and rape her? After all, he was a renegade Indian, and capable of anything.
Then again, the way she looked, maybe this was the most excitement she'd ever had.”
― Linda Howard, quote from Mackenzie's Mountain
“I hold on to my adopted shore, chanting private vows: wherever I am, let me never forget to distinguish want from need. Let me be a good animal today. Let me dance in the waves of my private tide, the habits of survival and love.”
― Barbara Kingsolver, quote from High Tide in Tucson
“Christ, she missed him outrageously. Disgusted with herself, she ducked her head under the spray and let it pound on her brain.
When hands slipped around her waist, then slid up to cup her breasts, she barely jolted. But her heart leaped. She knew his touch, the feel of those long, slim fingers, the texture of those wide palms. She tipped her head back, inviting a mouth to the curve of her shoulder.
"Mmm. Summerset. You wild man."
Teeth nipped into flesh and made her chuckle. Thumbs brushed over her soapy nipples and made her moan.
"I'm not going to fire him." Roarke trailed a hand down the center of her body.
"It was worth a shot. You're back..." His fingers dipped expertly inside her, slick and slippery, so that she arched, moaned, and came simultaneously. "Early," she finished on an explosive breath. "God."
"I'd say I was just on time.”
― J.D. Robb, quote from Ceremony in Death
“There cannot be any hard and fast rules. But there can be suggestions and useful analogies. The most useful, to my mind, is that of the difference between the English and French judicial systems. In England (and America), the task of the court in criminal cases, which it devolves upon a jury, is to arrive at a verdict of ‘guilty’ or ‘not guilty’ on the evidence presented by prosecuting and defending counsel in turns. Trials are conflicts and verdicts are decisions; the two sides ‘win’ or ‘lose’. In France, and other countries which observe Roman Law, the task of the court in a criminal case is to arrive at the truth, as far as it can be perceived by human eyes, and the business of establishing the outlines of the truth falls not on a jury, which is strictly asked to enter a judgement, but upon a juge d’instruction. This officer of the court, unknown to English law, is accorded very wide powers of interrogation–of the suspect, his family, his associates–and of investigation–of the circumstances and scene of the crime–at which the suspect is often required to participate in a reconstruction. Only when the juge is satisfied that a crime has indeed occurred and that the suspect is responsible will he allow the case to go forward for prosecution. The character of these two different legal approaches is usually defined as ‘accusatorial’ (English) and ‘inquisitorial’ (French) respectively.”
― John Keegan, quote from The Face Of Battle: A Study Of Agincourt, Waterloo And The Somme
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