“The ideas of the ruling class are in every epoch the ruling ideas, i.e. the class which is the ruling material force of society, is at the same time its ruling intellectual force. The class which has the means of material production at its disposal, has control at the same time over the means of mental production, so that thereby, generally speaking, the ideas of those who lack the means of mental production are subject to it. The ruling ideas are nothing more than the ideal expression of the dominant material relationships, the dominant material relationships grasped as ideas.”
― Karl Marx, quote from The German Ideology
“As individuals express their life, so they are.”
― Karl Marx, quote from The German Ideology
“For as soon as the distribution of labour comes into being, each man has a particular, exclusive sphere of activity, which is forced upon him and from which he cannot escape. He is a hunter, a fisherman, a herdsman, or a critical critic, and must remain so if he does not want to lose his means of livelihood; while in communist society, where nobody has one exclusive sphere of activity but each can become accomplished in any branch he wishes, society regulates the general production and thus makes it possible for me to do one thing today and another tomorrow, to hunt in the morning, fish in the afternoon, rear cattle in the evening, criticise after dinner, just as I have a mind, without ever becoming hunter, fisherman, herdsman or critic.”
― Karl Marx, quote from The German Ideology
“Philosophy and the study of the real world have the same relation to one another as onanism and sexual love.”
― Karl Marx, quote from The German Ideology
“Thus, in imagination, individuals seem freer under the dominance of the bourgeoisie than before, because their conditions of life seem accidental; in reality, of course, they are less free, because they are to a greater extent governed by material forces.”
― Karl Marx, quote from The German Ideology
“...to hunt in the morning, fish in the afternoon, rear cattle in the evening, [and] criticise after dinner...”
― Karl Marx, quote from The German Ideology
Karl Marx
Born place: in Trier, Germany
Born date May 5, 1818
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“In a hole, in a hole.” Skodi piped, “. . . in the ground, in a hole, where the wet-nosed mole sings a song of cold stone, and of mud and gray bone, a quiet, small song all the chill, dark night long as he digs in the deep, where the white worms creep, and the dead all sleep, with their eyes full of earth where the beetles give birth, laying little white eggs, and their brittle black legs go scrape, scrape, scrape, and the dark, like a cape, covers all just the same, darkness hiding their shame as it covered their names, the names of the dead, all gone, all fled, empty winds, empty heads, Above grass grows on stone, fields lie fallow, unsown all is gone that they’ve known so they wail in the deep, crying out in their sleep, without eyes, still they weep, calling out for what’s lost, in the darkness they toss, under pitweed and moss in the deeps of the grave, neither master or slave, has now feature or fame, needs knowledge or name, but they long to come back, and they stare through the cracks at the dim sun above, and they curse cruel love, and the peace lost in life, think of worry and strife, ruined child or wife, all the troubles that burned, dreadful lessons unlearned, still they long to return, to return, to return, they long to return. Return! In a hole, in the ground, under old barrow-mound, where skin, bone, and blood turn to jelly-soft mud, and the rotting world sings . . .”
― Tad Williams, quote from Stone of Farewell
“But things were different now. I finally had my head -pun intended- on straight.”
― Meg Cabot, quote from Runaway
“How in the world can you think a queer is cute? I mean, you can tell he’s a freak. You can just tell.” I advised Zelda that if she didn’t shut up, I’d gouge out her eyes and force her to swallow them.”
― Scott Heim, quote from Mysterious Skin
“Mas, logo ao outro dia, seus parceiros,
Todos nus e da cor da escura treva,
Decendo pelos ásperos outeiros,
As peças vem buscar que estoutro leva.
Domésticos já tanto e companheiros
Se nos mostram, que fazem que se atreva
Fernão Veloso a ir ver da terra o trato
E partir-se co eles pelo mato.
É Veloso no braço confiado
E, de arrogante, crê que vai seguro;
Mas, sendo um grande espaço já passado,
Em que algum bom sinal saber procuro,
Estando, a vista alçada, co cuidado
No aventureiro, eis pelo monte duro
Aparece e, segundo ao mar caminha,
Mais apressado do que fora, vinha.
O batel de Coelho foi depressa
Polo tomar; mas, antes que chegasse,
Um Etíope ousado se arremessa
A ele, por que não se lhe escapasse.
Outro e outro lhe saem; vê-se em presa
Veloso, sem que alguém lhe ali ajudasse,
Acudo eu logo, e, enquanto o remo aperto
Se mostra um bando negro descoberto.
Da espessa nuvem setas e pedradas
Chovem sobre nós outros, sem medida,
E não foram ao vento em vão deitadas,
Que esta perna trouxe eu dali ferida;
Mas nós, como pessoas magoadas,
A reposta lhe demos tão tecida,
Que em mais que nos barretes se suspeita
Que a cor vermelha levam desta feita.
E, sendo já Veloso em salvamento,
Logo nos recolhemos pera a armada,
Vendo a malícia feia e rudo intento
Da gente bestial, bruta e malvada,
De quem nenhum milhor conhecimento
Pudemos ter da Índia desejada
Que estarmos inda muito longe dela.
E assi tornei a dar ao vento a vela.
Disse então a Veloso um companheiro
(Começando-se todos a sorrir):
"Oula, Veloso amigo, aquele outeiro
É milhor de decer que de subir.”
― Luís de Camões, quote from The Lusiads
“Disappearing is an art form, and I am its queen.”
― Francesca Zappia, quote from Eliza and Her Monsters
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