Quotes from The Dark Half

Stephen King ·  469 pages

Rating: (103.5K votes)


“He didn’t know if that was really true or not, but he discovered something which was tremendously liberating: he didn’t care. He was very tired of thinking and thinking and still not knowing. He was also tired of being frightened, like a man who has entered a cave on a lark and now begins to suspect he is lost. Stop thinking about it, then. That’s the solution.”
― Stephen King, quote from The Dark Half


“But writers INVITE ghosts, maybe; along with actors and
artists, they are the only totally accepted mediums of our society. They make worlds that never
were, populate them with people who never existed, and then invite us to join them in their
fantasies. And we do it, don't we? Yes. We PAY to do it.”
― Stephen King, quote from The Dark Half


“Cut him. Cut him while I stand here and watch. I want to see the blood flow. Don't make me tell you twice.”
― Stephen King, quote from The Dark Half


“...he was after all, a novelist...and a novelist was simply a fellow who got paid to tell lies. The bigger the lies, the better the pay.”
― Stephen King, quote from The Dark Half


“The George George Stark George Starked over the Starky Stark.”
― Stephen King, quote from The Dark Half



“He sometimes believed that the compulsion to make fiction was no more than a bulwark against confusion, maybe even insanity. It was a desperate imposition of order by people able to find that precious stuff only in their minds . . . never in their hearts.”
― Stephen King, quote from The Dark Half


“I want to make sure I remember what real ugly is. I might want to tell my grandchildren someday.”
― Stephen King, quote from The Dark Half


“Stark lit a Pall Mall himself, picked up one of his Berols, opened his own notebook . . . and then paused. He looked at Thad with naked honesty. “I’m scared, hoss,” he said. And Thad felt a great wave of sympathy for Stark—in spite of everything he knew. Scared. Yes, of course you are, he thought. Only the ones just starting out—the kids—aren’t scared. The years go by and the words on the page don’t get any darker . . . but the white space sure does get whiter. Scared? You’d be crazier than you are if you weren’t. “I know,” he said. “And you know what it comes down to—the only way to do it is to do it.”
― Stephen King, quote from The Dark Half


“«Sa, anch'io gioco un pochino a tennis, e pensavo...»
«Se lei gioca a tennis solo un pochino, allora probabilmente non è al mio livello.»”
― Stephen King, quote from The Dark Half


About the author

Stephen King
Born place: in Portland, Maine, The United States
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Popular quotes

“I have never forgotten, and I can't imagine you have, and I've thought of it over the years. It was so good, when it was good, I kept thinking. How could it go wrong?”
― George R.R. Martin, quote from Dying of the Light


“W tej właśnie komnacie przyszedłem na świat. Z odmętów długiej nocy, która miała pozór, lecz nie była nicością, wyłoniłem się po to, aby wkroczyć nagle w krainę baśni, w pałacowe przepychy fantazji, w dziwaczne dziedziny myśli i wiedzy klasztornej. Nie dziw tedy, że przerażonym a płomiennym wzrokiem badałem świat dookolny, że dzieciństwo spędziłem wśród ksiąg, a młodość roztrwoniłem na marzeniach; lecz zastanawia ta okoliczność, że gdy lata upływały i południe dojrzałego wieku zastało mnie jeszcze żywcem w gnieździe mych przodków — zastanawia, powtarzam, ta okoliczność, że bijące źródła mojego życia zaprawiły się nagłym zastojem, że w kierunku najwłaściwszego mi myślenia stał się przewrót zupełny. Zjawiska rzeczywistości potrącały o mnie jak sny i tylko jako sny, podczas gdy szaleńcze pomysły z krainy snów stały się w zamian nie tylko strawą mego codziennego istnienia, lecz stanowczo jedynym i całkowitym istnieniem w samym sobie.”
― Edgar Allan Poe, quote from Berenice


“We are like poor people, who have nothing but each other, and are happy.”
― Mark Helprin, quote from Freddy and Fredericka


“The Bostonians is special because it never was ‘titivated’ for the New York edition, for its humour and its physicality, for its direct engagement with social and political issues and the way it dramatized them, and finally for the extent to which its setting and action involved the author and his sense of himself. But the passage above suggests one other source of its unique quality. It has been called a comedy and a satire – which it is. But it is also a tragedy, and a moving one at that. If its freshness, humour, physicality and political relevance all combine to make it a peculiarly accessible and enjoyable novel, it is also an upsetting and disturbing one, not simply in its treatment of Olive, but also of what she tries to stand for. (Miss Birdseye is an important figure in this respect: built up and knocked down as she is almost by fits and starts.) The book’s jaundiced view of what Verena calls ‘the Heart of humanity’ (chapter 28) – reform, progress and the liberal collectivism which seems so essential an ingredient in modern democracy – makes it contentious to this day. An aura of scepticism about the entire political process hangs about it: salutary some may say; destructive according to others. And so, more than any other novel of James’s, it reminds us of the literature of our own time. The Bostonians is one of the most brilliant novels in the English language, as F. R. Leavis remarked;27 but it is also one of the bleakest. In no other novel did James reveal more of himself, his society and his era, and of the human condition, caught as it is between the blind necessity of progress and the urge to retain the old. It is a remarkably experimental modern novel, written by a man of conservative values. It is judgemental about people with whom its author identified, and lenient towards attitudes hostile to large areas of James’s own intellectual and personal inheritance. The strength of the contradictions embodied in the novel are a guarantee of the pleasure it has to give.”
― Henry James, quote from The Bostonians


“They use the pretext of avoiding war, to make you swallow any kind of peace, said Paul. They use the pretext of a revolution to involve us in any kind of war, said Jardinet.”
― Simone de Beauvoir, quote from The Blood of Others


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