“If the system turns away from the abuses inflicted on the guilty, then who can be next but the innocents?”
― Michael Connelly, quote from The Concrete Blonde
“I'm relaxed, Belk. I call it Zen and the art of not giving a shit.”
― Michael Connelly, quote from The Concrete Blonde
“That's justice," she said, nodding at the statue. "She doesn't hear you. She doesn't see you. She can't feel you and won't speak to you. Justice, Detective Bosch, is just a concrete blonde.”
― Michael Connelly, quote from The Concrete Blonde
“The house in Silverlake was dark, its windows as empty as a dead man’s eyes. It was an old California Craftsman with a full front porch and two dormer windows set on the long slope of the roof. But no light shone behind the glass, not even from above the doorway. Instead, the house cast a foreboding darkness about it that not even the glow from the streetlight could penetrate. A man could be standing there on the porch and Bosch knew he probably wouldn’t be able to see him. ‘You”
― Michael Connelly, quote from The Concrete Blonde
“That’s extortion,” Cerrone said. “No, asshole, that’s justice.”
― Michael Connelly, quote from The Concrete Blonde
“The black heart does not beat alone.”
― Michael Connelly, quote from The Concrete Blonde
“Whoever fights monsters should see to it that in the process he does not become a monster. And when you look into the abyss, the abyss also looks into you….”
― Michael Connelly, quote from The Concrete Blonde
“Nobody in this world is who they say they are. Nobody. Not when they’re in their own room with the door shut and locked. And nobody knows anybody, no matter what they think... The best you can hope for is to know yourself. And sometimes when you do, when you see your true self, you have to turn away.”
― Michael Connelly, quote from The Concrete Blonde
“To think about failure was to invite failure.”
― Michael Connelly, quote from The Concrete Blonde
“the best defense was a good lock or a mean dog. Or both.”
― Michael Connelly, quote from The Concrete Blonde
“Through political opportunism and ineptitude, the city had allowed the [police] department to languish for years as an understaffed and underequipped paramilitary organization. Infected with political bacteria itself, the department was top-heavy with managers while the ranks below were so thin that the dog soldiers on the street rarely had the time or inclination to step out of their protective machines, their cars, to meet the people they served. They only ventured out to deal with the dirtbags and consequently, Bosch knew, it had created a police culture in which everybody not in blue was seen as a dirtbag and was treated as such. Everybody.”
― Michael Connelly, quote from The Concrete Blonde
“In the morning, Bosch sat on the rear deck of his house and watched the sun come up over the Cahuenga Pass. It burned away the morning fog and bathed the wildflowers on the hillside that had burned the winter before. He watched and smoked and drank coffee until the sound of traffic on the Hollywood Freeway became one uninterrupted hiss from the pass below.”
― Michael Connelly, quote from The Concrete Blonde
Michael Connelly
Born place: in Philadelphia, Pennsylvania, The United States
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“Ele sabia que preferia morrer a lutar com ela, do que viver me paz com qualquer outra pessoa.”
― Nora Roberts, quote from Key of Knowledge
“[Speaker Reed's] wit was brilliant and usually cruel... Asked to attend the funeral of a political enemy, he refused, "but that does not mean to say I do not heartily approve of it.”
― Edmund Morris, quote from The Rise of Theodore Roosevelt
“Anyone who wants to help me doesn't. Anyone who wants to kill me might. Anyone who wants to love me better not.”
― Henry Rollins, quote from Eye Scream
“Her face deeply moved him. Why, he could at first not say. It gave him the impression of youth--spring flowers, yet age--a sense of having been used to the bone, wasted; this came from the eyes, which were hauntingly familiar, yet absolutely strange. He had a vivid impression that he had met her before, but try as he might he could not place her although he could almost recall her name, as he had read it in her own handwriting. No, this couldn't be; he would have remembered her. It was not, he affirmed, that she had an extraordinary beauty--no, though her face was attractive enough; it was that something about her moved him. Feature for feature, even some of the ladies of the photographs could do better; but she lapsed forth to this heart--had lived, or wanted to--more than just wanted, perhaps regretted how she had lived--had somehow deeply suffered: it could be seen in the depths of those reluctant eyes, and from the way the light enclosed and shone from her, and within her, opening realms of possibility: this was her own. Her he desired. His head ached and eyes narrowed with the intensity of his gazing, then as if an obscure fog had blown up in the mind, he experienced fear of her and was aware that he had received an impression, somehow, of evil. He shuddered, saying softly, it is thus with us all. Leo brewed some tea in a small pot and sat sipping it without sugar, to calm himself. But before he had finished drinking, again with excitement he examined the face and found it good: good for Leo Finkle. Only such a one could understand him and help him seek whatever he was seeking. She might, perhaps, love him. How she had happened to be among the discards in Salzman's barrel he could never guess, but he knew he must urgently go find her.”
― Bernard Malamud, quote from The Magic Barrel
“There was no more meaningless phrase in all of language than "Cheer up!" The only way to get someone to cheer up was to help them forget, and saying "cheer up" had quite the opposite effect, only reminding the person why he or she was depressed in the first place.”
― Kōji Suzuki, quote from Spiral
The Melancholy Death...
Transfer of Power
A Game of You
Tempting the Beast
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