“If the system turns away from the abuses inflicted on the guilty, then who can be next but the innocents?”
― Michael Connelly, quote from The Concrete Blonde
“I'm relaxed, Belk. I call it Zen and the art of not giving a shit.”
― Michael Connelly, quote from The Concrete Blonde
“That's justice," she said, nodding at the statue. "She doesn't hear you. She doesn't see you. She can't feel you and won't speak to you. Justice, Detective Bosch, is just a concrete blonde.”
― Michael Connelly, quote from The Concrete Blonde
“The house in Silverlake was dark, its windows as empty as a dead man’s eyes. It was an old California Craftsman with a full front porch and two dormer windows set on the long slope of the roof. But no light shone behind the glass, not even from above the doorway. Instead, the house cast a foreboding darkness about it that not even the glow from the streetlight could penetrate. A man could be standing there on the porch and Bosch knew he probably wouldn’t be able to see him. ‘You”
― Michael Connelly, quote from The Concrete Blonde
“That’s extortion,” Cerrone said. “No, asshole, that’s justice.”
― Michael Connelly, quote from The Concrete Blonde
“The black heart does not beat alone.”
― Michael Connelly, quote from The Concrete Blonde
“Whoever fights monsters should see to it that in the process he does not become a monster. And when you look into the abyss, the abyss also looks into you….”
― Michael Connelly, quote from The Concrete Blonde
“Nobody in this world is who they say they are. Nobody. Not when they’re in their own room with the door shut and locked. And nobody knows anybody, no matter what they think... The best you can hope for is to know yourself. And sometimes when you do, when you see your true self, you have to turn away.”
― Michael Connelly, quote from The Concrete Blonde
“To think about failure was to invite failure.”
― Michael Connelly, quote from The Concrete Blonde
“the best defense was a good lock or a mean dog. Or both.”
― Michael Connelly, quote from The Concrete Blonde
“Through political opportunism and ineptitude, the city had allowed the [police] department to languish for years as an understaffed and underequipped paramilitary organization. Infected with political bacteria itself, the department was top-heavy with managers while the ranks below were so thin that the dog soldiers on the street rarely had the time or inclination to step out of their protective machines, their cars, to meet the people they served. They only ventured out to deal with the dirtbags and consequently, Bosch knew, it had created a police culture in which everybody not in blue was seen as a dirtbag and was treated as such. Everybody.”
― Michael Connelly, quote from The Concrete Blonde
“In the morning, Bosch sat on the rear deck of his house and watched the sun come up over the Cahuenga Pass. It burned away the morning fog and bathed the wildflowers on the hillside that had burned the winter before. He watched and smoked and drank coffee until the sound of traffic on the Hollywood Freeway became one uninterrupted hiss from the pass below.”
― Michael Connelly, quote from The Concrete Blonde
Michael Connelly
Born place: in Philadelphia, Pennsylvania, The United States
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“John does not know how much I really suffer. He knows there is no REASON to suffer, and that satisfies him.”
― Charlotte Perkins Gilman, quote from The Yellow Wall-Paper
“There are bagels over there, please have one."
"Thanks, but I'm not hungry."
He looked at me with his morning green eyes, "You have to eat Ellery."
I sighed, "I never eat when I first wake up, but don't worry dad I'll ahve one in a little bit."
A slight irritated smile graced his face, "You're even a smart ass first thing in the morning." I held up my cup and smiled.”
― Sandi Lynn, quote from Forever Black
“Hayden?"
"Yes,Gia?"
"Nothing I just wanted to say your name”
― Kasie West, quote from The Fill-In Boyfriend
“Well, now, some people learn a little quicker than others. It's nice to learn fast but it's nice to take your time too.”
― James Agee, quote from A Death in the Family
“After a while Mary said, “Zsadist?”
“Yeah?”
“What are those markings?”
His frowned and flicked his eyes over to her, thinking, as if she didn’t know? But then . . . well, she had been a human. Maybe she didn’t. “They’re slave bands. I was . . . a slave.”
“Did it hurt when they were put on you?”
“Yes.”
“Did the same person who cut your face give them to you?”
“No, my owner’s hellren did that. My owner . . . she put the bands on me. He was the one who cut my face.”
“How long were you a slave?”
“A hundred years.”
“How did you get free?”
“Phury. Phury got me out. That’s how he lost his leg.”
“Were you hurt while you were a slave?”
Z swallowed hard. “Yes.”
“Do you still think about it?”
“Yes.” He looked down at his hands, which suddenly were in pain for some reason. Oh, right. He’d made two
fists and was squeezing them so tightly his fingers were about to snap off at the knuckles.
“Does slavery still happen?”
“No. Wrath outlawed it. As a mating gift to me and Bella.”
“What kind of slave were you?”
Zsadist shut his eyes. Ah, yes, the question he didn’t want to answer. For a while it was all he could do to force himself to stay in the chair. But then, in a falsely level voice, he said,
“I was a blood slave. I was used by a female for blood.”
The quiet after he spoke bore down on him, a tangible weight.
“Zsadist? Can I put my hand on your back?”
His head did something that was evidently a nod, because Mary’s gentle palm came down lightly on his
shoulder blade. She moved it in a slow, easy circle.
“Those are the right answers,” she said. “All of them.”
He had to blink fast as the fire in the furnace’s window became blurry. “You think?” he said hoarsely.
“No. I know.”
― J.R. Ward, quote from Father Mine
Lord Loss
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