“There was no more meaningless phrase in all of language than "Cheer up!" The only way to get someone to cheer up was to help them forget, and saying "cheer up" had quite the opposite effect, only reminding the person why he or she was depressed in the first place.”
― Kōji Suzuki, quote from Spiral
“People can endure almost anything but there's one thing they can't survive. Man is an animal that can't stand boredom”
― Kōji Suzuki, quote from Spiral
“Right. Mutation is the trigger that moves evolution forward. So, how do mutations happen?”
― Kōji Suzuki, quote from Spiral
“There was no more meaningless phrase in all of language than “Cheer up!”
― Kōji Suzuki, quote from Spiral
“DNA was the chemical material on which hereditary information was recorded, while a gene was one unit of that nearly infinite amount of hereditary information.”
― Kōji Suzuki, quote from Spiral
“modern science hasn’t managed to come up with answers to any of the most basic questions. How did life first appear on earth? How does evolution work? Is it a series of random events, or does it have a set teleological direction? There are all kinds of theories, but we haven’t been able to prove one of them. The structure of the atom is not a miniature of the solar system, it’s something much more difficult to grasp, full of what you might call latent power. And when we try to observe the subatomic world, we find that the mind of the observer comes into play in subtle ways. The mind, my friend! The very same mind which, ever since Descartes, proponents of the mechanistic view of the universe considered subordinate to the body-machine. And now we find that the mind influences observed results. So I give up. Nothing surprises me. I’m prepared to accept anything that happens in this world. I actually kind of envy people who can still believe in the omnipotence of modern science.”
― Kōji Suzuki, quote from Spiral
“and saying “cheer up” had quite the opposite effect, only reminding the person why he or she was depressed in the first place.”
― Kōji Suzuki, quote from Spiral
“Only when he was conducting an autopsy could he forget the death of his beloved son. Ironically, playing with dead bodies released him from the death that had touched him.”
― Kōji Suzuki, quote from Spiral
“Y en aquel reducto solitario me ponía a escribir cuentos. Ahora advierto que escribía cada vez que era infeliz, que me sentía solo o desajustado con el mundo en que me había cado nacer. Y pienso si no será siempre así, que el arte de nuestro tiempo, ese arte tenso y desgarrado, nazca invariablemente de nuestro desajusdte, de nuestra ansiedad y nuestro descontento.”
― Ernesto Sabato, quote from On Heroes and Tombs
“Milton says, “The mind can make a heaven of hell, or a hell of heaven.” I try remind myself daily that success and failure have less to do with actual results but rather how we choose to respond to the results. You can squander success and you can overcome failure. You can flourish or you can flounder. Sometimes it’s about choosing which feelings to fight and which feelings to follow.”
― Hannah Hart, quote from Buffering: Unshared Tales of a Life Fully Loaded
“She was a dull person, but a sensational invitation to make babies.”
― Kurt Vonnegut, quote from Slaughterhouse-five: The Children's Crusade, A Duty-dance with Death
“Some midnight-of-all or other [apocalypse] was predicted every few days or nights. Most came to nothing, leaving relevant prophets cringing with a unique embarrassment as the sum rose. It was a very particular shame, that of now ex-worshippers avoiding each other's eyes in the unexpected aftermath of 'final' acts -- crimes, admissions, debaucheries and abandon.”
― China Miéville, quote from Kraken
“The hospital is as busy as it was yesterday. We go in through the main entrance, and people walk in every direction. The people in scrubs and white coats all walk a little bit faster. There’s a guy sleeping on one of the waiting room sofas, and a hugely pregnant woman leaning against the wall by the elevator. She’s swirling a drink in a plastic cup. That baby is giving her T-shirt a run for its money. A toddler is throwing a tantrum somewhere down the hallway. The shrieking echoes.
We move to the bank of elevators, too, and Melonhead isn’t one of those guys who insists on pressing a button that’s already lit. He smiles and says “Good afternoon” to the pregnant woman, but I can’t look away from her swollen belly.
My mother is going to look like that.
My mother is going to have a baby.
My brain still can’t process this.
Suddenly, the woman’s abdomen twitches and shifts. It’s startling, and my eyes flick up to find her face.
She laughs at my expression. “He’s trying to get comfortable.”
The elevator dings, and we all get on. Her stomach keeps moving.
I realize I’m being a freak, but it’s the creepiest thing I’ve ever seen. I can’t stop staring.
She laughs again, softly, then comes closer. “Here. You can feel it.”
“It’s okay,” I say quickly.
Melonhead chuckles, and I scowl.
“Not too many people get to touch a baby before it’s born,” she says, her voice still teasing. “You don’t want to be one of the chosen few?”
“I’m not used to random women asking me to touch them,” I say.
“This is number five,” she says. “I’m completely over random people touching me. Here.” She takes my wrist and puts my hand right over the twitching.
Her belly is firmer than I expect, and we’re close enough that I can look right down her shirt. I’m torn between wanting to pull my hand back and not wanting to be rude.
Then the baby moves under my hand, something firm pushing right against my fingers. I gasp without meaning to.
“He says hi,” the woman says.
I can’t stop thinking of my mother. I try to imagine her looking like this, and I fail.
I try to imagine her encouraging me to touch the baby, and I fail.
Four months.
The elevator dings.
“Come on, Murph,” says Melonhead.
I look at the pregnant lady. I have no idea what to say. Thanks?
“Be good,” she says, and takes a sip of her drink.
The elevator closes and she’s gone”
― Brigid Kemmerer, quote from Letters to the Lost
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