“It's not four days ago I find a bastard squatting here, asking me if I read books. Like he would jump me with a book or something. Take me for a ride with the telephone directory.”
― William Faulkner, quote from Sanctuary
“You’re not being tried by common sense,” Horace said. “You’re being tried by a jury.”
― William Faulkner, quote from Sanctuary
“I be dog if hit don't look like sometimes that when a fellow sets out to play a joke, hit ain't another fellow he's playing that joke on; hit's a kind of big power laying still somewhere in the dark that he sets out to prank with without knowing hit, and hit all depends on whether that ere power is in the notion to take a joke or not, whether or not hit blows up right in his face, like this one did in mine. ("A Bear Hunt")”
― William Faulkner, quote from Sanctuary
“God is foolish at times, but at least He’s a gentleman. Dont you know that?” “I always thought of Him as a man,” the woman said.”
― William Faulkner, quote from Sanctuary
“She wasn’t born for this kind of life. You have to be born for this like you have to be born a butcher or a barber, I guess. Wouldn’t anybody be either of them just for money or fun.”
― William Faulkner, quote from Sanctuary
“She thought of them, woolly, shapeless; savage, petulant, spoiled, the flatulent monotony of their sheltered lives snatched up without warning by an incomprehensible moment of terror and fear of bodily annihilation at the very hands which symbolised by ordinary the licensed tranquillity of their lives.”
― William Faulkner, quote from Sanctuary
“I have but one rift in the darkness, that is that I have injured no one save myself by my folly, and that the extent of that folly you will never learn.”
― William Faulkner, quote from Sanctuary
“Ze słuchawką w ręce patrzył na drzwi, przez które wpadał ten błędny i drażniący powiew. Zaczął cytować coś z jakiejś dawno czytanej książki:
“Spokoju coraz mniej! Spokoju coraz mniej!”
― William Faulkner, quote from Sanctuary
“The orchestra had ceased and were now climbing onto their chairs, with their instruments. The floral offerings flew; the coffin teetered. "Catch it!" a voice shouted. They sprang forward, but the coffin crashed heavily to the floor, coming open. The corpse tumbled slowly and sedately out and came to rest with its face in the center of a wreath. "Play something!" the proprietor bawled, waving his arms; "play! Play!”
― William Faulkner, quote from Sanctuary
“Usava uma camisola larga demais, de crepe cor-de-cereja, que surgia negra contra o lençol. Os cabelos soltos, agora penteados, pareciam negros. O rosto, pescoço e braços, sobre as cobertas, eram cinzentos. Depois que os outros saíram ela ficou durante algum tempo com a cabeça escondida sob o lençol. Assim continuou até ouvir fechar-se a porta, até se apagar o som dos passos que desciam a escada, da voz do médico que se exprimia com volubilidade, da respiração ofegante de Miss Reba. Sons que adquiriram, no sombrio saguão, a cor do luar, e desapareceram. Depois Temple pulou da cama e foi até a porta, fazendo correr o trinco. Voltou ao leito e cobriu-se, inclusive a cabeça, ali ficando encolhida até faltar-lhe o ar.
Derradeiros reflexos cor-de-açafrão tingiam o teto e a parte das paredes onde viam-se as sombras de paliçada da avenida, que a oeste se erguia contra o céu. Ela viu-os desaparecer, consumidos pelos sucessivos bocejos da cortina. Viu também a última luz condensar-se na parte fronteira do relógio e o mostrador passar, no escuro, de orifício redondo a disco suspenso no nada, no primitivo caos, e mudar depois para bola de cristal que continha, na sua tranquila e misteriosa profundidade, o caos ordenado do mundo complicado e sombrio sobre cujos flancos, marcados de cicatrizes, as velhas feridas rolam vertiginosamente para a frente, mergulhando na escuridão onde se escondem novos desastres.”
― William Faulkner, quote from Sanctuary
“Jis kas vasarą nuvažiuoja iki pat Pensakolos aplankyti motinos, - pasakė mis Mertl. - Toksai žmogus negali būti blogas.”
― William Faulkner, quote from Sanctuary
“I am too old for this. I was born too old for it, and so I am sick to death for quiet.”
― William Faulkner, quote from Sanctuary
“From time to time he would feel that acute surge go over him, like his blood was too hot all of a sudden, dying away into that warm unhappy feeling that fiddle music gave him.”
― William Faulkner, quote from Sanctuary
“It does last," Horace said. "Spring does. You'd almost think there was some purpose to it.”
― William Faulkner, quote from Sanctuary
“Gal būtent tą akimirką, kai mes suprantame, sutinkame su tuo, kad egzistuoja blogio logika, mes ir numirštame".”
― William Faulkner, quote from Sanctuary
William Faulkner
Born place: in New Albany, Mississippi, The United States
Born date September 25, 1897
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“as he had? An abby streaked into the clearing. Then another. And another. A fourth. Fifth. No more. Please. No—A group of five joined the others. Then ten more. Soon there were twenty-five of them milling around the boulders in the shadow of that cliff. His heart fell. He crawled back”
― Blake Crouch, quote from Wayward
“The first beings probably were multicellular by mistake, sticky cells that couldn’t free themselves.”
― Sam Kean, quote from The Violinist's Thumb: And Other Lost Tales of Love, War, and Genius, as Written by Our Genetic Code
“A theory is a good theory if it satisfies two requirements. It must accurately describe a large class of observations on the basis of a model that contains only a few arbitrary elements, and it must make definite predictions about the results of future observations.”
― Stephen Hawking, quote from A Brief History of Time: From the Big Bang to Black Holes
“Just about every kid in America wished they could be Kyle Keeley. Especially when he zoomed across their TV screens as a flaming squirrel in a holiday commercial for Squirrel Squad Six, the hysterically crazy new Lemoncello video game. Kyle’s friends Akimi Hughes and Sierra Russell were also in that commercial. They thumbed controllers and tried to blast Kyle out of the sky. He dodged every rubber band, coconut custard pie, mud clod, and wadded-up sock ball they flung his way. It was awesome. In the commercial for Mr. Lemoncello’s See Ya, Wouldn’t Want to Be Ya board game, Kyle starred as the yellow pawn. His head became the bubble tip at the top of the playing piece. Kyle’s buddy Miguel Fernandez was the green pawn. Kyle and Miguel slid around the life-size game like hockey pucks. When Miguel landed on the same square as Kyle, that meant Kyle’s pawn had to be bumped back to the starting line. “See ya!” shouted Miguel. “Wouldn’t want to be ya!” Kyle was yanked up off the ground by a hidden cable and hurled backward, soaring above the board. It was also awesome. But Kyle’s absolute favorite starring role was in the commercial for Mr. Lemoncello’s You Seriously Can’t Say That game, where the object was to get your teammates to guess the word on your card without using any of the forbidden words listed on the same card. Akimi, Sierra, Miguel, and the perpetually perky Haley Daley sat on a circular couch and played the guessers. Kyle stood in front of them as the clue giver. “Salsa,” said Kyle. “Nachos!” said Akimi. A buzzer sounded. Akimi’s guess was wrong. Kyle tried again. “Horseradish sauce!” “Something nobody ever eats,” said Haley. Another buzzer. Kyle goofed up and said one of the forbidden words: “Ketchup!”
― Chris Grabenstein, quote from Mr. Lemoncello's Library Olympics
“If one is to learn to live with the dead, one must first learn to live with the living!”
― Irvin D. Yalom, quote from Love's Executioner: & Other Tales of Psychotherapy
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Breath, Eyes, MemoryBookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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