Philippe Claudel · 159 pages
Rating: (4.4K votes)
“Qu'est-ce que donc que la vie humaine si ce n'est un collier de blessures que l'on porte autour de son cou? A quoi sert d'aller ainsi dans les jours, les mois, les années, toujours plus faible, toujours meurtri?”
― Philippe Claudel, quote from La petite fille de Monsieur Linh
“¿Qué es la vida sino un collar de heridas que cada hombre se cuelga del cuello?”
― Philippe Claudel, quote from La petite fille de Monsieur Linh
“«De vez en
cuando un milagro, oro y risas, y de nuevo la esperanza cuando
crees que a tu alrededor todo es destrucción y silencio.»”
― Philippe Claudel, quote from La petite fille de Monsieur Linh
“De vez en cuando un milagro, oro y risas, y de nuevo la esperanza cuando crees que a tu alrededor todo es destrucción y silencio.”
― Philippe Claudel, quote from La petite fille de Monsieur Linh
“El anciano se llama Linh. Es el único que lo sabe, porque el resto de las personas que lo sabían están muertas.”
― Philippe Claudel, quote from La petite fille de Monsieur Linh
Philippe Claudel
Born place: in Dombasle-sur-Meurthe, Meurthe-et-Moselle, France
Born date February 2, 1962
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“Just know that there's bad men in the world, and dying fast by your mother is a better way than theirs.”
― Mindy McGinnis, quote from Not a Drop to Drink
“But…I told him that the more time that I spent with him, the more I began to realize how much he means to me. I told him that since it seems to be my destiny to dodge raindrops…I was grateful to be dodging them with him. So, I promised him that it would always be his name on my mind when I start my rotation…and when I go to bed each evening…and every quiet moment in between. It will be his name…savored on my lips…stretched across my heart…worshipped by my body…and branded in my mind…until death do us part…and forever after that.”
― Amy A. Bartol, quote from Under Different Stars
“Arab-Jewish relations in the Old City had always been good. Most of the property in the quarter was Arab-owned, and one of its familiar sights was the Arab rent collector making his way from house to house, pausing in each for the rent and a ritual cup of coffee. Here the Islamic respect for men of religion had been naturally extended to the quarter's scholars in their yeshivas. As for the quarter's poor artisans and shopkeepers, the most natural of bonds, poverty, tied them to their Arab neighbors.”
― Larry Collins, quote from O Jerusalem
“The guiding metaphor of classic style is seeing the world. The writer can see something that the reader has not yet noticed, and he orients the reader’s gaze so that she can see it for herself. The purpose of writing is presentation, and its motive is disinterested truth. It succeeds when it aligns language with the truth, the proof of success being clarity and simplicity. The truth can be known, and is not the same as the language that reveals it; prose is a window onto the world. The writer knows the truth before putting it into words; he is not using the occasion of writing to sort out what he thinks. Nor does the writer of classic prose have to argue for the truth; he just needs to present it. That is because the reader is competent and can recognize the truth when she sees it, as long as she is given an unobstructed view. The writer and the reader are equals, and the process of directing the reader’s gaze takes the form of a conversation.”
― Steven Pinker, quote from The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century
“The person who doesn’t appreciate the apple doesn’t appreciate the orchard.”
― Nadia Hashimi, quote from The Pearl That Broke Its Shell
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