Quotes from Doctors

Erich Segal ·  688 pages

Rating: (12.2K votes)


“The ‘equilibrium’ that people see in me is really an illusion. I am as flawed as anyone. It’s only that I seem to have the knack of hiding.”
― Erich Segal, quote from Doctors


“although science could pinpoint the exact spot in the brain that ignites rage, they had yet to identify the location that produces love.”
― Erich Segal, quote from Doctors


“We have turned doctors into gods and worship their deity by offering up our bodies and our souls - not to mention our worldly goods.
And yet paradoxically, they are the most vulnerable of human beings. Their suicide rate is eight times the national average. Their percentage of drug addiction is one hundred times higher
And because they are painfully aware that they cannot live up to our expectations, their anguish is unquantifiably intense. They have aptly been called 'wounded healers.' "

~ Barney Livingston, M.D.”
― Erich Segal, quote from Doctors


“He had spent most of his lifetime studying the art of medicine and realized now that he would never really understand its mysteries.
For medicine is an eternal quest for reasons - causes that explain effects.
Science cannot comprehend a miracle.”
― Erich Segal, quote from Doctors


“Deep down I'm still afraid, but at least I can deal with it.”
― Erich Segal, quote from Doctors



“I urge you to engrave this on the template of your memories: there are thousands of diseases in this world, but Medical Science only has an empirical cure for twenty-six of them. The rest is … guesswork.”
― Erich Segal, quote from Doctors


“a real physician almost never seeks another doctor’s help. For they all are painfully aware of just how little anybody understands about curing the sick.”
― Erich Segal, quote from Doctors


About the author

Erich Segal
Born place: in Brooklyn, New York, The United States
Born date June 16, 1937
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Popular quotes

“I spent a long time thinking in bed. It’s strange how when so much is taken from you, you start to think about the otherworldly. Adam and myself would never have entertained thoughts of angels, or said prayers when we were riding high. I put the card with the feather on my bedside table and stared at it for a long time before I fell asleep.”
― Robert Bryndza, quote from Coco Pinchard's Big Fat Tipsy Wedding


“Mrs. Copperfield started to tremble after the girl had closed the door behind her. She trembled so violently that she shook the bed. She was suffering as much as she had ever suffered before, because she was going to do what she wanted to do. But it would not make her happy. She did not have the courage to stop from doing what she wanted to do. She knew that it would not make her happy, because only the dreams of crazy people come true. She thought that she was only interested in duplicating a dream, but in doing so she necessarily became the complete victim of a nightmare.”
― Jane Bowles, quote from Two Serious Ladies


“If there's one area of me that the devil's got a hold of, it's my tongue.”
― Stefne Miller, quote from Collision


“Overtaken by demographic transformation and two generations of socio-geographic mobility, France’s once-seamless history seemed set to disappear from national memory altogether.

The anxiety of loss had two effects. One was an increase in the range of the official patrimoine, the publicly espoused body of monuments and artifacts stamped ‘heritage’ by the authority of the state. In 1988, at the behest of Mitterrand’s Culture Minister Jack Lang, the list of officially protected items in the patrimoine culturel of “France—previously restricted to UNESCO-style heirlooms such as the Pont du Gard near Nîmes, or Philip the Bold’s ramparts at Aigues-Mortes—was dramatically enlarged.

It is revealing of the approach taken by Lang and his successors that among France’s new ‘heritage sites’ was the crumbling façade of the Hôtel du Nord on Paris’s Quai de Jemappes: an avowedly nostalgic homage to Marcel Carné’s 1938 film classic of that name. But Carné shot that movie entirely in a studio. So the preservation of a building (or the façade of a building) which never even appeared in the film could be seen—according to taste—either as a subtle French exercise in post-modern irony, or else as symptomatic of the unavoidably bogus nature of any memory when subjected thus to official taxidermy.”
― Tony Judt, quote from Postwar: A History of Europe Since 1945


“Pity, unlike hate, can be boxed and put away.”
― Jessie Burton, quote from The Miniaturist


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