Quotes from Carpe Corpus

“Not nearly enough. Not recently, anyway.” And she was sad about that.
“I know,” he said, and kissed the back of her hand. “We’ll fix it. Get some sleep.”
“Night,” she said, and watched him walk toward the door. “Hey. How’d you get in?”
He wiggled his fingers at her in a spooky oogie-boogie pantomime. “I’m a vampire. I have secret powers ,” he said with a full-on fake Transylvanian accent, which he dropped to say, “Actually, your mom let me in.”
“Seriously? My mom? Let you in my room? In the middle of the night?”
He shrugged. “Moms like me.”
He gave her a full-on Hollywood grin, and slipped out the door.”
― Rachel Caine, quote from Carpe Corpus

“God, I needed you," he murmured. "I can't even tell you how many times I thought about this. The funny thing is, I don't need you any less now. I think I need you more."
~Shane~”
― Rachel Caine, quote from Carpe Corpus

“What’s your name?' she asked, and surprised herself. But for some reason, she wanted to know.
Dean’s brother—he hadn’t been just some nameless Bad Guy Number Four. This vampire wasn’t, either. He had a name, a history, maybe even people who cared what happened to him.
'My name is none of your business,' he said, and continued to stare out the window, even though there was nothing but blurry brick out there.
'Can I call you None for short?”
― Rachel Caine, quote from Carpe Corpus

“You're just full of awesome; did you know that?”
― Rachel Caine, quote from Carpe Corpus

“Now play nicely, make-believe dead girl”
― Rachel Caine, quote from Carpe Corpus

“Mind the dead man, my dear.”
― Rachel Caine, quote from Carpe Corpus

“Michael, don’t,” Eve said. “He won’t hurt us.” Andeveryone rolled their eyes at that. Even Jason, which was borderline hilarious.”
― Rachel Caine, quote from Carpe Corpus

“You were right,” she said. “You were always right, about everything. And I will always love you, Sam. Forever.”
― Rachel Caine, quote from Carpe Corpus

“Damn, girl. You space so hard, you ought to look into a career at NASA.”
― Rachel Caine, quote from Carpe Corpus

“Jason talking about Michael -

"Don't do me any favors, Glass Ass," Jason snapped.”
― Rachel Caine, quote from Carpe Corpus

“They came out in a dim, damp basement - a generic sort of place, full of moulding boxes. 'You take me to the nicest places,' Claire said, and sneezed.”
― Rachel Caine, quote from Carpe Corpus

“You never heard ofplugging her in ? My God, Myrnin, you made a vampire computer?”
― Rachel Caine, quote from Carpe Corpus

“Amelie had on black pants, a black zip-up hoodie, andrunning shoes.
So wrong.”
― Rachel Caine, quote from Carpe Corpus

“Oliver . . . well. Who knew if Oliver’s problem was the disease or just a bad attitude?”
― Rachel Caine, quote from Carpe Corpus

“What you know about Vampires could fit into a mosquito's ass." Eve said. Irritated. "All you know is what you grew up seeing on T.V. You ever actually meet one?”
― Rachel Caine, quote from Carpe Corpus

“Don't do me any favors, Glass Ass," Jason snapped.”
― Rachel Caine, quote from Carpe Corpus

“I’m avampire. I havesecret powers ,” he said with a full-on fake Transylvanian accent, which he dropped to say, “Actually, your mom let me in.”
― Rachel Caine, quote from Carpe Corpus

“I’ll defend the girl with my last breath,” he promised, and clasped his hand dramatically to the chest of his ragged frock coat. “Oh, wait. That doesn’t mean much, does it, since I gasped that last breath before the Magna Carta was dry on the page? I mean, of course I’ll look after her, with whatever is left of my life.”
― Rachel Caine, quote from Carpe Corpus

“You’re their little girl,” Shane said. “You know, when I think about it, I’d feel the same way about my own daughter.”
“You would?” There was something deliciously warm about the fact that he wasn’t afraid to say that to her. “So,” she said, with an effort at being casual that was probably all too obvious. “You want to have a daughter, then?”
He kissed the top of her head. “Hit the brakes, girl.”
― Rachel Caine, quote from Carpe Corpus

“Parting is such sweet sorrow, according to the bards. I wouldn’t know, myself. I never parted anyone.” He mimed ripping someone in half, then got an odd expression on his face. “Well. Just the one time, really. Doesn’t count.”
― Rachel Caine, quote from Carpe Corpus

“I'm a vampire. I have secret powers".."Actually, your mom let me in" -Michael Glass”
― Rachel Caine, quote from Carpe Corpus

“Of course. What else? Why can't any of you guys ever come up with something that uses chocolate?”
― Rachel Caine, quote from Carpe Corpus

“Porque soy una chica, pensó Claire. Casi no fue capaz de contener su alivio interior. Porque somos todas tontas e inseguras y creemos que nunca somos lo suficientemente
buenas.”
― Rachel Caine, quote from Carpe Corpus

“That, Claire thought, was a pretty good definition of love: needing someone even after you got what you thought you wanted.”
― Rachel Caine, quote from Carpe Corpus

“Because I'm a girl, Claire thought. She was barely able to contain the relief welling up inside her. Because we're all stupid and insecure and think that we're never, ever good enough.”
― Rachel Caine, quote from Carpe Corpus

“Sonrió, y fue totalmente Shane – afilado pero extrañamente dulce. - Claire, acabo
de salir de la cárcel. ¿Realmente crees que trato de ser un santo o algo?”
― Rachel Caine, quote from Carpe Corpus

“You're kidding, right?" Shane asked. "You don't need caffeine. You need sleep." He held out the last cup, and Claire realized she'd been wrong; there was someone else in the shadows. Deeper in the shadows even than Oliver had been.
Myrnin.
He looked completely different to her now, and not just because he wasn't crazy anymore. He'd remembered how to dress himself, for one thing; gone were the costume coats and Mardi Gras beads and flip-flops. He had on a gray knit shirt, black pants, and a jacket that looked a bit out of period, but not as much as before.
All clean. He even had shoes on.
"Yes, you must sleep," he agreed, as he accepted the cup and tried the coffee. "I've gone to far too much trouble to train up another apprentice at this late date. We have work to do, Claire. Good, hard work. Some of it may even earn you accolades, once you leave Morganville."
She smiled slowly. "You'll never let me leave."
Myrnin's dark eyes fixed on hers. "Maybe I will," he said. "But you must give me at least a few more years, my friend. I have a great deal to learn from you, and I am a very slow learner.”
― Rachel Caine, quote from Carpe Corpus

“Shane stood up when he saw her, which made her heart turn cartwheels, and he pulled out her chair. Eve and Michael shared an amused look.
"So cute," Eve said. When Shane glared, she smiled. "No, really. It is. Dude, chill.”
― Rachel Caine, quote from Carpe Corpus

“What about the entrance to the cave?" she asked. He snapped his fingers as if he'd forgotten all about it.
"Excellent point."
Myrnin dragged the largest, heaviest table over, top down, and covered up with it the hole he'd made in the floor. Then he took handfuls of broken glass and mounded it up on all sides.
Myrnin artistically sprinkled some more broken glass. "There," Myrnin said, and backed off to the stairs again. "What do you think?"
"Fabulous." She sighed. "Brilliant job of camouflage."
"Normally, I'd add a corpse," he said, "just to keep people at bay. But that might be good enough.”
― Rachel Caine, quote from Carpe Corpus

“You are not trapped in the box forever," Myrnin said, "as you well know. But I still need you, so you will simply have to stop your endless wailing and get on with things. If you want an escape, research your way out."
"Or you'll what?"
Myrnin's eyes snapped open, and he bared his fangs - not that he could bite the computer. It was just a reaction of frustration, Claire thought. "Or I'll disconnect your puzzle sets," he said, "and you can read the works of Bulwer-Lytton for entertainment for the next twenty years before I take pity on you.”
― Rachel Caine, quote from Carpe Corpus

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Popular quotes

“ls the Conjugial Angel stone
That here he stands with heavy head
The backward-looking pillared dead
Inert, moss-covered, aIl alone?

The Holy Ghost trawls ln the Void,
With fleshly Sophy on His Hook
The Sons of God crowd round to look
At plumpy limbs to be enjoyed

The Greater Man casts out the line
With dangling Sophy as the lure
Who howls around the Heavens' colure
To clasp the Human Form Divine

Rose-petals fall from fallen hair
That in the clay is redolent
Of liquid oozings and the scent
Of the dark Pit, the Beastly lair

And is my Love become the beast
That was, and is not, and yet is,
Who stretches scarlet holes to kiss
And clasps with claws the fleshly feast

Sweet Rosamund, adult'rous Rose
May lie inside her urn and stink
Whlle Alfred's tears tum into ink
And drop into her quelque-chose

The Angel spreads his golden wings
And raises high his golden cock
And man and wife together lock
Into one corpse that moans and sings”
― A.S. Byatt, quote from Angels and Insects

“Trust = telling someone about the things that make you sleepless.”
― Hillary Frank, quote from I Can't Tell You

“Pay attention to everything the dying person says. You might want to keep pens and a spiral notebook beside the bed so that anyone can jot down notes about gestures, conversations, or anything out of the ordinary said by the dying person. Talk with one another about these comments and gestures. • Remember that there may be important messages in any communication, however vague or garbled. Not every statement made by a dying person has significance, but heed them all so as not to miss the ones that do. • Watch for key signs: a glassy-eyed look; the appearance of staring through you; distractedness or secretiveness; seemingly inappropriate smiles or gestures, such as pointing, reaching toward someone or something unseen, or waving when no one is there; efforts to pick at the covers or get out of bed for no apparent reason; agitation or distress at your inability to comprehend something the dying person has tried to say. • Respond to anything you don’t understand with gentle inquiries. “Can you tell me what’s happening?” is sometimes a helpful way to initiate this kind of conversation. You might also try saying, “You seem different today. Can you tell me why?” • Pose questions in open-ended, encouraging terms. For example, if a dying person whose mother is long dead says, “My mother’s waiting for me,” turn that comment into a question: “Mother’s waiting for you?” or “I’m so glad she’s close to you. Can you tell me about it?” • Accept and validate what the dying person tells you. If he says, “I see a beautiful place!” say, “That’s wonderful! Can you tell me more about it?” or “I’m so pleased. I can see that it makes you happy,” or “I’m so glad you’re telling me this. I really want to understand what’s happening to you. Can you tell me more?” • Don’t argue or challenge. By saying something like “You couldn’t possibly have seen Mother, she’s been dead for ten years,” you could increase the dying person’s frustration and isolation, and run the risk of putting an end to further attempts at communicating. • Remember that a dying person may employ images from life experiences like work or hobbies. A pilot may talk about getting ready to go for a flight; carry the metaphor forward: “Do you know when it leaves?” or “Is there anyone on the plane you know?” or “Is there anything I can do to help you get ready for takeoff?” • Be honest about having trouble understanding. One way is to say, “I think you’re trying to tell me something important and I’m trying very hard, but I’m just not getting it. I’ll keep on trying. Please don’t give up on me.” • Don’t push. Let the dying control the breadth and depth of the conversation—they may not be able to put their experiences into words; insisting on more talk may frustrate or overwhelm them. • Avoid instilling a sense of failure in the dying person. If the information is garbled or the delivery impossibly vague, show that you appreciate the effort by saying, “I can see that this is hard for you; I appreciate your trying to share it with me,” or “I can see you’re getting tired/angry/frustrated. Would it be easier if we talked about this later?” or “Don’t worry. We’ll keep trying and maybe it will come.” • If you don’t know what to say, don’t say anything. Sometimes the best response is simply to touch the dying person’s hand, or smile and stroke his or her forehead. Touching gives the very important message “I’m with you.” Or you could say, “That’s interesting, let me think about it.” • Remember that sometimes the one dying picks an unlikely confidant. Dying people often try to communicate important information to someone who makes them feel safe—who won’t get upset or be taken aback by such confidences. If you’re an outsider chosen for this role, share the information as gently and completely as possible with the appropriate family members or friends. They may be more familiar with innuendos in a message because they know the person well.”
― quote from Final Gifts: Understanding the Special Awareness, Needs, and Communications of the Dying

“There's nothing worse than a label to cement people's loyalties.”
― Greg Egan, quote from Schild's Ladder

“One keeps searching for ease, she did not say, and not finding it, till the memories of no-pain seem only like daydreams.”
― Robin McKinley, quote from The Outlaws of Sherwood

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