“Pucetti’s was the generation that was all in favour of sentiment, sharing other people’s pain, voicing compassion for the downtrodden, yet Brunetti often found in them traces of a ruthlessness that chilled his spirit and made him fearful for the future. He wondered if the cheap sentimentality of television and film had sent them into some sort of emotional insulin shock and suffocated their ability to feel empathy with the unappealing victims of the mess that real life created.”
“He remembered enough of his study of logic to recognize a slippery slope when he saw it, even in his own thinking, but still it felt right to suspect that Chiara’s failure to give sympathy might somehow lead to a refusal to give aid.”
“Brunetti had once come across the term ‘compassion fatigue’, but thought that the oh-so-clever press had got it wrong, and the term should really be, ‘horror fatigue’.”
“Exactly what I said: she’s still a child in many ways, so she’s discovering all the fine and noble causes for the first time, and she still sees each one as a discrete unit: she hasn’t seen the connections or contradictions among them; not yet.’ She”
“Then we must consider what an African would want to do with the money to”
“Hic scientia finit: Knowledge Stops Here.”
“You're beautiful, but you're empty...One couldn't die for you. Of course, an ordinary passerby would think my rose looked just like you. But my rose, all on her own, is more important than all of you together, since she's the one I've watered. Since she's the one I put under glass, since she's the one I sheltered behind the screen. Since she's the one for whom I killed the caterpillars (except the two or three butterflies). Since she's the one I listened to when she complained, or when she boasted, or even sometimes when she said nothing at all. Since she's my rose.”
“Finally, people have to actually purchase it. It doesn’t matter how good a product is if, in the end, nobody uses it.”
“I was a big dreamer and never particularly good at anything--a real dilemma. I wasn't terrible. I was just... okay. If you're terrible, you can write everybody off, like, "I don't know what the hell those idiots are doing?" I knew what those idiots were doing. And I knew that they did it better than me.”
“Dustfinger closed his eyes and listened.
He was home again.”
“... je t'emmènerais dans une contrée resplendissante et prospère, au foyer d'une famille aristocratique des lettrés, fastueux domaine où abondent les fleurs et les saules, terroir de la douceur, de richesse et d'honneurs, pour t'installer dans la joie et en toute sécurité.
Cao Xueqin, "Le Rêve dans le pavillon rouge", trad, fr. par Li Tche-Houa, J. Alézaïs, révision par A. D'Hormon, Paris, Gallimard, "Bibliothèque de la Pléiade", 1981, vol. 1, p. 8.”
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