Wendell Berry · 268 pages
Rating: (1.6K votes)
“It is to be broken. It is to be
torn open. It is not to be
reached and come to rest in
ever. I turn against you,
I break from you, I turn to you.
We hurt, and are hurt,
and have each other for healing.
It is healing. It is never whole.”
― Wendell Berry, quote from The Collected Poems, 1957-1982
“At the window he sits and looks out, musing on the river, a little brown hen duck paddling upstream among the windwaves close to the far bank. What he has understood lies behind him like a road in the woods. He is a wilderness looking out at the wild.”
― Wendell Berry, quote from The Collected Poems, 1957-1982
“Through my history's despite
and ruin, I have come
to its remainder, and here
have made the beginning
of a farm intended to become
my art of being here.
By it I would instruct
my wants: they should belong
to each other and to this place.
Until my song comes here
to learn its words, my art
is but the hope of song.
(Part 2 from History is Clearing, p 174)”
― Wendell Berry, quote from The Collected Poems, 1957-1982
“The Satisfactions of the Mad Farmer...the quiet in the woods of a summer morning, the voice of a pewee passing through it like a tight silver wire; ...”
― Wendell Berry, quote from The Collected Poems, 1957-1982
“What I know of spirit is astir in the world. The god I have always expected to appear at the woods' edge, beckoning, I have always expected to be a great relisher of this world, its good grown immortal in his mind.”
― Wendell Berry, quote from The Collected Poems, 1957-1982
“...And yet a knowledge
is here that tenses the throat
as for song: the inheritance
of the ones, alive or once
alive, who stand behind
the ones I have imagined,
who took into their minds
the troubles of this place,
blights of love and race,
but saw a good fate here
and willingly paid its cost,
kept it the best they could,
thought of its good,
and mourned the good they lost.
(From the ending of Where in Clearing, p179)”
― Wendell Berry, quote from The Collected Poems, 1957-1982
“Those who will not learn
in plenty to keep their place
must learn it by their need
when they have had their way
and the fields spurn their seed.
We have failed Thy grace.
Lord, I flinch and pray,
send Thy necessity.
"We Who Prayed and Wept", p. 211.”
― Wendell Berry, quote from The Collected Poems, 1957-1982
“Well,” I said, “glad I could be of service, sir.”
― Jack L. Pyke, quote from Don't...
“I don’t know, Reeve. Because you do a lot of talking, and all I hear are mixed messages.”
“I’m unmixing them now. Listen. This is the one I want you to hear.”
― Laurelin Paige, quote from First Touch
“Do not run hither and thither and distract yourself by changing your abode; for such restlessness is the sign of a disordered spirit.”
― Seneca, quote from Moral Letters to Lucilius Volume 1
“Putin coined a slogan for his vision of a new, rule-abiding Russia that was secure and prosperous. It embodied the internal contradictions of his ideology, of his background as a lawyer and intelligence officer, and of his temperament. He felt it so deeply he used it twice in one letter. Russia, he declared, would be “a dictatorship of the law.”
― quote from The New Tsar: The Rise and Reign of Vladimir Putin
“Dandelion, staring into the dying embers, sat much longer, alone, quietly strumming his lute. It began with a few bars, from which an elegant, soothing melody emerged. The lyric suited the melody, and came into being simultaneously with it, the words bending into the music, becoming set in it like insects in translucent, golden lumps of amber.
The ballad told of a certain witcher and a certain poet. About how the witcher and the poet met on the seashore, among the crying of seagulls, and how they fell in love at first sight. About how beautiful and powerful was their love. About how nothing - not even death - was able to destroy that love and part them.
Dandelion knew that few would believe the story told by the ballad, but he was not concerned. He knew ballads were not written to be believed, but to move their audience.
Several years later, Dandelion could have changed the contents of the ballad and written about what had really occurred. He did not. For the true story would not have move anyone. Who would have wanted to hear that the Witcher and Little Eye parted and never, ever, saw each other again? About how four years later Little Eye died of the smallpox during an epidemic raging in Vizima? About how he, Dandelion, had carried her out in his arms between corpses being cremated on funeral pyres and buried her far from the city, in the forest, alone and peaceful, and, as she had asked, buried two things with her: her lute and her sky blue pearl. The pearl from which she was never parted.
No, Dandelion stuck with his first version. And he never sang it. Never. To no one.
Right before the dawn, while it was still dark, a hungry, vicious werewolf crept up to their camp, but saw that it was Dandelion, so he listened for a moment and then went on his way.”
― Andrzej Sapkowski, quote from Sword of Destiny
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