Garth Ennis · 336 pages
Rating: (56.5K votes)
“I thought you an' I'd already settled the roles in the fucker/fuckee relationship! I guess I thought wrong!”
― Garth Ennis, quote from Preacher, Volume 1: Gone to Texas
“Criminal: You can suck my dick, motherfucker!
Detective Bridges: You suck mine! [shoves barrel of pistol in the Criminal's mouth] An' you get used to it, cause you get to Rykers you're gonna find a lot of dick on the goddamn menu! Now grunt twice for yes! You through bitchin'?”
― Garth Ennis, quote from Preacher, Volume 1: Gone to Texas
“Sheriff Root: "Ask Me, I reckon it was niggers"
Deputy: "How you reckon that, Sheriff Root?"
Sheriff Root: "Kinda thing they do"
Deputy: "What, burn two hundred people to death, right down to the bone? They do that?"
Sheriff Root: "MARTIAN niggers”
― Garth Ennis, quote from Preacher, Volume 1: Gone to Texas
“If the Devil created Texas like some folks say he did, this is where he rested on the seventh day.”
― Garth Ennis, quote from Preacher, Volume 1: Gone to Texas
“Christ, I think I'd grow old if I lost you.”
― Garth Ennis, quote from Preacher, Volume 1: Gone to Texas
Garth Ennis
Born place: in Holywood, Ireland
Born date January 16, 1970
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“In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled “Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world. Oedipa, perverse, had stood in front of the painting and cried. No one had noticed; she wore dark green bubble shades. For a moment she’d wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry. She had looked down at her feet and known, then, because of a painting, that what she stood on had only been woven together a couple thousand miles away in her own tower, was only by accident known as Mexico, and so Pierce had take her away from nothing, there’d been no escape. What did she so desire escape from? Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else?”
― Thomas Pynchon, quote from The Crying of Lot 49
“Oh, how hard it is to understand the hearts of girls and women. When they are not the most timid of creatures, they are the bravest. Reason has no part in their lives.”
― Jules Verne, quote from Journey to the Center of the Earth
“Why is it that so many people think all the answers are in their wallet?”
― Stephen King, quote from Needful Things
“Good men are often more practical than pretty.”
― Ruta Sepetys, quote from Between Shades of Gray
“Just because fate has chosen something for you instead of you choosing it for yourself doesn’t mean it has to be bad. Even if it’s something you are sure you would never have chosen in a hundred years. ‘Better ten days of love than years of regretting,’ ” she quoted.”
― Robert Jordan, quote from The Dragon Reborn
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