“Ta-ta?” she asked Jack, once Jessica was out of earshot. “I can't believe you went out with a woman who uses that interjection.”
“I can't believe I'm ‘going out’ with a woman who uses the word ‘interjection.”
― Jennifer Shirk, quote from Fiance by Fate
“You snore.”
She stopped in the middle of the hallway and gaped. “I do not.”
“Oh yeah, you do.” He nodded, beaming from ear to ear. “Cute, kind of baby snores, but still snores by standard definition. Maybe that was the problem that broke up you and David. Doctors need their sleep, you know.”
― Jennifer Shirk, quote from Fiance by Fate
“Careful,” he chided with a grin. “First you talk marriage and now you're telling me what to eat. You're sounding more and more like a real girlfriend every day. Just remember, this is still our first date, so keep your hands to yourself tonight. I'm not one of those guys.”
― Jennifer Shirk, quote from Fiance by Fate
“You are still the creator of your own destiny. Don't overlook the journey.”
― Jennifer Shirk, quote from Fiance by Fate
“Jack had a way of sneaking up on her, like a cold or...a chin hair.”
― Jennifer Shirk, quote from Fiance by Fate
“She repeated the thought again for good measure—and because she liked to hear herself think.”
― Jennifer Shirk, quote from Fiance by Fate
“watching Madame Butterfly was a little like watching a slug race.”
― Jennifer Shirk, quote from Fiance by Fate
“hear that same thing from the psychic, it’d make her feel much better. “I see a man in your future…” the psychic began in a raspy voice. His—her—Adam’s apple bobbed up and down as she closed her eyes and laid her palms on the cards. Sabrina blinked and tried hard to focus on what she was saying and not on the hair of Madame’s knuckles.”
― Jennifer Shirk, quote from Fiance by Fate
“What sense is there in ending another life when we’re trying to keep the world from dying?”
― Josin L. McQuein, quote from Arclight
“If you tell yourself that you cannot, what can the only outcome be?”
― quote from What to Say When You Talk to Yourself
“Please, do not leave me, Will Henry. I would not survive it. You were nearly right. What Mr. Kendall was, I am always on the brink of becoming. And you - I do not pretend to know how or even why - but you pull me back from the precipice. You are the one... You are the one thing that keeps me Human.”
― Rick Yancey, quote from The Isle of Blood
“Non conosceva abbastanza il bondage o qualunque cosa fosse per potersi formare un’opinione personale.
E visto che la conoscenza era l’unica arma in suo possesso per scacciare la paura, Amery aprì il portatile e digitò
“shibari” nel motore di ricerca.
La prima cosa che cercò fu la definizione.
"Shibari-kinbaku è una tecnica che prevede l’utilizzo di corde per dare
vita a un bondage sensuale, spettacolare ed erotico; questa tecnica ha origine nelle arti marziali giapponesi del XVI secolo, nelle punizioni giudiziarie del Giappone del XVIII secolo e nelle produzioni teatrali giapponesi del XIX secolo"
Approfondì la lettura e apprese che quelle pratiche erano inizialmente basate sulle punizioni del bondage jujitsu chiamato hojojutsu. Non c’era da sorprendersi se Ronin si era interessato a quella tecnica, visto che nasceva da
quell’arte marziale che aveva praticato per tutta la vita.
Sembrava che l’hojojutsu fosse diffuso sin dai tempi dei samurai. Quando essi trasportavano i prigionieri, usavano
delle corde per legarli e controllarli dopo la cattura. Alcuni samurai divennero famosi per la loro abilità nell’intrecciare le corde, attività che doveva essere funzionale, ma anche
umana. I samurai entrarono in competizione tra loro: più elaborate e diverse erano le loro opere, maggiore rispetto acquisiva il maestro della corda. Amery apprese anche che i termini si riferivano a due tipi leggermente diversi della stessa disciplina bondage. Lo shibari era più artistico e si concentrava sulla bellezza del disegno delle corde sulla tela umana, era costituito da motivi elaborati e spesso
veniva messo in scena come performance artistica.
Il kinbaku, sebbene avesse in comune molti nodi e legature con lo Shibari, aveva una carica sessuale più marcata.
Istituiva un legame tra il maestro della corda e la persona che veniva legata, fondato sul contatto della pelle durante il processo di legatura, e spesso i nodi venivano posti in zone erogene strategiche.
The Mastered Series - Legami”
― Lorelei James, quote from Bound
“The mother was your friend, you see, but the woman was your enemy, and love between the sexes is strife. Do not think that I gave myself; I did not give, but I took—what I wanted.”
― August Strindberg, quote from The Father
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